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VERDI, G., MACBETH (LIVE FROM THE MET) - Guleghina, Maria / Levine, James

Носитель: DVD

Носитель: 2 DVD

Издатель: EMI Classics

Поделитесь c друзьями:

VERDI, G., MACBETH (LIVE FROM THE MET) - Guleghina, Maria / Levine, James (2008)

Каталожный номер: CDVP 015934

Старая цена: 2499 руб
Новая цена: 1699 руб
есть в наличии. доставка 1−2 дня

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Продолжительность: 2 часа 22 минуты

Ограничение по возрасту: G — Допускаются зрители всех возрастов

композиторВерди Джузеппе Фортунино Франческо
режиссер / хореографНобл Эдриан
дирижерЛевайн Джеймс
исполнительГулегина Мария, сопрано ~ Лучич Желько, баритон ~ Питтас Димитри, тенор ~ Релье Джон, бас
ансамбльОркестр Метрополитен-опера ~ Хор Метрополитен-опера
жанрОпера, интермедия, серената
издание  Подарочное изданиеАкция. Гарантия низкой цены
странаUnited Kingdom
фирмаEMI Classics

Рецензии в СМИ

BBC Music Magazine
December 2008


…well propelled by Levine, and fairly effectively staged by Adrian Noble in a scruffy, modern-Balkans ambiance. Zeljko Lucic is a solid, mellifluous anti-hero, but low on charisma; Maria Guleghina has enough for two, wielding her huge voice with electrifying physicality, and with intelligence.

Penguin Guide
2010 edition


characteristically lavish, with a big chorus, singing really splendidly...Lucic as a murderous Macbeth, singing strongly, is determined enough, but Maria Guleghina is even more so...Levine conducts dramatically and the production gains from its spectacle, and with a powerfully sung close, many will feel that this should be a primary choice.

Рецензия от издателя

The Metropolitan Opera's acclaimed Live in High-Definition series, which projects live performances into theaters across the globe, has met with unprecedented critical and commercial success and has made opera convenient and affordable to millions of viewers worldwide. Now, EMI Classics is proud to collaborate with The Met to release 6 new DVDs made from these broadcast performances.
A new production of Verdi's haunting opera by English director Adrian Noble, conducted by James Levine, and starring Andrea Gruber, Roberto Aronica, and Lado Ataneli. Hailed by the New York Times as "stylistically eclectic, grimly effective and, at times, intriguingly playful."

Рецензия от издателя

Verdi’s admiration for Shakespeare led to such masterpieces as Othello and Falstaff, and if the earlier Macbeth isn’t on their exalted level it’s still a powerfully dramatic opera that hews closely to the original’s story line. The MET’s production retains the dark aura of the opera while updating it to a vaguely post-modern context. So the witches are bag ladies in various stages of decrepitude, with children in tow. The Banquet Scene features lowered chandeliers, a plethora of chairs, and a slew of extras dressed in tuxedos and party gowns. Macbeth sports a leather coat, the soldiers are in drab brown uniforms and seem to have fingers on their triggers even when they’re supposed to be in non-threatening situations. Director Adrian Noble also has Lady Macbeth do an inordinate amount of writhing around and singing from a lying-down position, adding to the feeling that a less interventionist directorial hand might have generated more impact. Mark Thompson designed the sets and costumes, making a leafless forest an integral background to both outdoor and indoor scenes. Movable pillars contract or expand the spaces in which the action takes place. Video director Gary Halvorson keeps his cameras moving with plenty of close-ups and odd angles, which accentuate the weirdness of the situations and the entrapment of the main characters in their greed and murderous ambition.

The Macbeth couple offer some of the juiciest leading roles in all of opera. Lady Macbeth is well done by Maria Guleghina, whose big voice and stage presence are pluses here. If her intonation is sometimes dubious and her high notes occasionally curdle she does project the role well, especially when cajoling her indecisive husband to murder. He’s sung by Zeljko Lucic, whose sturdy baritone is sufficient to inhabit an acting and singing performance of considerable power. Banquo is sung beautifully by bass John Relyea, and Macduff is well done by tenor Dimtri Pittas. But the MET chorus and orchestra, under the fiery baton of James Levine, are the real heroes of the performance, their contributions enhanced by lively sound. --Dan Davis

Macbeth is an all-regions disc in 16:9 ratio. Sound options include PCM Stereo and DTS 5.1 Surround. Extras include interview material with MET director Peter Gelb, conductor James Levine, and the principal singers and stage director Adrian Noble. Sung in Italian, subtitles include English, French, German, Italian and Spanish.

Рецензия от издателя

Production: Adrian Noble, Set & costume designer: Mark Thompson, Lighting designer: Jean Kalman & Choreographer: Sue Lefton

EMI Classics continues its collaboration with the Metropolitan Opera with a new production of Verdi’s richly haunting opera, Macbeth, as part of this season’s Metropolitan Opera : Live in High-Definition series.

For the first time in 20-years, the Metropolitan Opera presents the first of Verdi’s three operas based on Shakespeare, ‘in a stylistically eclectic, grimly effective and, at times, intriguingly playful production’ (New York Times) by English director Adrian Noble, making his Met debut.

At the time of composition, Macbeth was unique. Not only was it considered both musically and dramatically bold, but it was the first opera that can truly be described as Shakespearean. It was the first that altered operatic conventions to serve the play rather than converting the play into traditional operatic formulas.

After 35 highly successful years as Music director of the Metropolitan Opera, a relationship unparalleled and unique in the musical world today, James Levine conducts Verdi’s haunting score with tension and a type of brutality that this chilling work commands.

Рецензия от издателя

A doctor - James Courtney


Disc 1


Act I

Scene 1

Che faceste? Dite su! (Witches)

Giorno non vidi mai s� fiero e bello! (Macbeth/Banquo/Witches/Messengers)

Due vaticini compiuti or sono (Macbeth/Banquo/Messengers)

S'allontanarono! (Witches)

Scene 2

Nel d� della vittoira io le incontrai...(Lady Macbeth/Servant)

Vienti! t'affretta!...Or tutti sorgete (Lady Macbeth)

Oh donna mia! (Macbeth/Lady Macbeth)

Sappia la sposa mia (Macbeth/Lady Macbeth)

Fatal mia donna! (Macbeth/Lady Macbeth)

Di destarlo per tempo il re m'impose (Macduff/Banquo/Lady Macbeth)

Schiudi, inferno, la bocca ed inghiotti (All)

Act II

Scene 1

Perch� mi sfuggi (Lady Macbeth/Macbeth)

La luce langue (Lady Macbeth)

Scene 2

Chi v'impose unirvi a noi? (Murderers)

Studia il passo, o mio figlio! (Banquo)

Scene 3

Salve, o re! (Chorus/Macbeth/Lady Macbeth)

Si colmi il calice (Lady Macbeth/Macbeth/Murderer/Chorus)

Va', spirto d'abisso! (Lady Macbeth/Macbeth/Chorus)



Scene 1

Disc 2

Tre volte miagola la gatta in fregola (Witches)

Finch� appelli, silenti m'attendete (Macbeth/Witches)

Fuggi, regal fantasima (Macbeth)

Ove son io? (Macbeth/Lady Macbeth)

Act IV

Scene 1

Patria oppressa! (Chorus of Scottish refugees)

O figli, o figli miei!...Ah, la paterna mano (Macduff)

Dove siam? Che bosco � quello? (Malcolm/Macduff/Chorus)

Scene 2

Vegliammo invan due notti (Doctor/Lady-in waiting/Macduff/Chorus)

Una macchia � qui tuttora! (Lady Macbeth/Doctor/Lady-in-waiting)

Scene 3

Perfidi! All' anglo contra me v' unite (Macbeth)

Piet�, rispetto, amore (Macbeth)

Ella � morta! (Macbeth/Lady-in-waiting/Macduff/Chorus)

Scene 4

Vittoria! (Malcolm/Macduff/Chorus)

End Credits

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