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Donizetti: Maria Stuarda (DVD) Live at the Metropolitan Opera, 2013

Носитель: DVD

Носитель: 1 DVD

Издатель: Warner Classics (Teldec, Erato, Finlandia, Lontano, Nonesuch, EMI, Virgin)

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Donizetti: Maria Stuarda (DVD) Live at the Metropolitan Opera, 2013 (2014)

Каталожный номер: CDVP 1957883

−15%
Старая цена: 1299
Новая цена: 1099руб
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Продолжительность: 2 часа 22 минуты

Ограничение по возрасту: G — Допускаются зрители всех возрастов

Награды

Gramophone Magazine
Editor's Choice - August 2014

Presto Favourites
Recommended Recording

композиторДоницетти Доменико Гаэтано Мариа
режиссер / хореографМакВикар Дейвид
дирижерБенини Маурицио
исполнительДи Донато Джойс, меццо ~ Хевер Эльза ван ден, сопрано ~ Хопкинс Джошуа, баритон ~ Поленцани Метью, тенор ~ Роуз Мэттью, бас ~ Зифчак Мария, меццо
ансамбльХор Метрополитен-опера ~ Оркестр Метрополитен-опера
произведениеМария Стюарт
жанрОпера, интермедия, серената
фирмаWarner Classics (Teldec, Erato, Finlandia, Lontano, Nonesuch, EMI, Virgin)

Рецензии в СМИ

BBC Music Magazine

***

handsomely designed...well acted and strongly sung. Elza van der Heever delivers a statuesque Elizabeth, if with tomboyish tendencies...DiDonato offers a physically plain, emotionally determined martyr-monarch, her singing closely and impressively aligned with the character's emotional journey...Benini rises above routine to bring flexibility to his conducting.

The Telegraph
10th July 2014

*****

One might have guessed that she could sing this demandingly florid and intensely lyrical music with crystalline Italian diction, impeccable technical security and dazzling stylistic finesse, but the fierce ardent passion she brings might surprise those who have only heard her in lighter histrionic fare. Even those with indelible memories of Janet Baker in this part will be blown away.

Gramophone Magazine
July 2014
Elza van der Heever is quite brilliant as she moves from skittish to jealous, contemptuous and baleful. The three men are all good...DiDonato is an absolute knock-out...spellbinding through a perfect combination of singing and acting. Maurizio Benini conducts impeccably.

Opera Now

*****

The mezzo might not have the optimal luxury of tone for the role but she more than compensates with the most vocally adept and dramatically detailed performance. Her coloratura is always meaningful (as well as pinpoint accurate) and her sense of line immaculate...Benini conducts idiomatically and David McVicar’s large-scale but simple production is effective.

Presto Classical
Scotland really did fire the imagination of the great bel canto composers, and though it's about as historically accurate as The Tudors, Donizetti's treatment of the final days of Mary Queen of Scots is a masterpiece of the genre, seen in here a 2013 Met production with a fine sense of local colour by the Scottish director David McVicar. Joyce DiDonato is the doomed queen, with Elza ven der Heever as her rival Elizabeth I; Maurizio Benini conducts.

Рецензия от издателя

New Year's Eve 2012 brought the first-ever performance at New York's Metropolitan Opera of Donizetti's Maria Stuarda, famed for its incendiary, if fictional, confrontation between Mary Stuart (Mary, Queen of Scots) and Queen Elizabeth I of England. The performance on this DVD took place on January 19th 2013 and was broadcast to cinemas around the world.
The magnificent final scene of the opera sees Mary preparing for her execution. "What can be said about the final 20 minutes of this opera?" asks Joyce DiDonato. "It is like being shot out of a cannon and there is no slowing down or adjusting along the way. Mary is certainly terrified and yet she manages to find a deep reservoir of determination and fortitude that enables her to climb to her death. She has finally found her peace."

Рецензия от издателя

Joyce DiDonato talks to Presto's Katherine Cooper about singing Maria Stuarda here .

On New Year’s Eve 2012 Joyce DiDonato became the first singer to take the title role in Donizetti’s Maria Stuarda at New York’s Metropolitan Opera. With her at its heart, the production became, in the words of Opera magazine, “a high point of the season and of the company’s performance history of bel canto operas”.

New Year’s Eve 2012 brought the first-ever performance at New York’s Metropolitan Opera of Donizetti’s Maria Stuarda, famed for its incendiary – if fictional – confrontation between Mary Stuart (Mary, Queen of Scots) and Queen Elizabeth I of England.

As the New York Times wrote: “The production stars the great American mezzo-soprano Joyce DiDonato in the title role ... [Her] performance will be pointed to as a model of singing in which all components of the art form – technique, sound, color, nuance, diction – come together in service to expression and eloquence.” The performance on this DVD took place on January 19th 2013 and was broadcast to cinemas around the world.

Based on a play by Friedrich Schiller, Maria Stuarda achieved new currency in the 1960s, and the title role has attracted such legendary singers as Joan Sutherland, Leyla Gencer, Beverley Sills and Janet Baker. “To have brought this character to life at the Metropolitan Opera for the first time in its history is an incredible privilege,” said Joyce DiDonato. “It is a role that has been inhabited by the best of the best – each star singer bringing a completely different set of strengths to her treacherous phrases and her dramatic journey. To have had the chance to put my stamp on her with such a supportive team will, I’m certain, always remain a career highlight for me.”

Opera magazine duly described DiDonato’s “glowingly-sung, fully-formed portrayal” as “a high point of the season and of the company’s performance history of bel canto operas”.

Directing the production, with its striking use of vivid colors and stark imagery, was David McVicar, and Maurizio Benini conducted a cast that also featured the imposing South African soprano Elza van den Heever, making her Met debut as – again in the words of the New York Times – “a vocally burnished and emotionally tempestuous Elizabeth ... Her voice has penetrating depth and character. She turns flights of coloratura passagework into bursts of jealousy and defiance as Elizabeth contends with the threat that Mary, a blood relative, poses to her reign in England.” As the Earl of Leicester, caught between the rival queens, American tenor Matthew Polenzani brought “melting sound and appealing vulnerability to the role”.

The magnificent final scene of the opera sees Mary preparing for her execution. “What can be said about the final 20 minutes of this opera?” asks Joyce DiDonato. “It is like being shot out of a cannon and there is no slowing down or adjusting along the way. Mary is certainly terrified and yet she manages to find a deep reservoir of determination and fortitude that enables her to climb to her death. She has finally found her peace.”

Production: David McVicar

Set & Costume Designer: John Macfarlane / Lighting Designed by Jennifer Tipton / Choreographer: Leah Hausman

A Metropolitan Opera High-Definition Production

Director: Gary Halvorson / Music Producer: Jay David Saks / Executive Producer: Peter Gelb

Supervising Producers: Mia Bongiovanni, Elena Park

Producers: Louisa Briccetti, Victoria Warivonchik

Host: Deborah Voigt

Stereo PCM 2.0 / Dolby Digital 5.1

Act 1: 73 min / Act 2: 69 min

+15 min interview (Backstage at the MET)

Menu: GB / Subtitles: GB, FR, DE, IT, ES / Sung in Italian

Рецензия от издателя

Belcanto-Opernkino, das Geschichte schreibt: Joyce DiDonato als erste Maria Stuarda an der Met
„In der Geschmeidigkeit der Stimmführung, der dynamischen Auffächerung, dem weiten Atem und der Flexibilität in den Verzierungen gelingt Joyce DiDonato Mustergültiges.“ Opernglas

Track Listings

    • 1. Vorspann
    • 2. Introduktion von Deborah Voigt

    Maria Stuarda (Maria Stuart, Oper in 3 Akten) (Gesamtaufnahme: 1. Teil)

    • 3. Prelude
    • 4. Qui si attenda
    • 5. Sì, vuol di Francia il Rege
    • 6. Ah quando all'ara scorgemi
    • 7. In tal giorno di contento
    • 8. Fra voi perché non veggio Leicester?
    • 9. Hai nelle giostre, o Talbo
    • 10. Questo imago, questo foglio
    • 11. Se fida tanto
    • 12. Sei tu confuso
    • 13. Quali sensi! - Ell'è commossa
    • 14. Era d'amor l'immagine
    • 15. Vieni - Lo chiede il barbaro
    • 16. Allenta il piè, Regina
    • 17. Oh nube! Che lieve per l'aria
    • 18. Ah! Non m'inganna la gioia?
    • 19. Da tutti abbandonata
    • 20. Del suo core
    • 21. Ah! Se il mio cor tremò giammai
    • 22. Qual loco è questo?
    • 23. E sempre la stessa: Superba, orgogliosa
    • 24. Va: Io chiedi
    • 25. Va, preparati furente a soffrir l'estremo fato
    • 26. Introduktion in den 2. Teil durch Deborah Voigt

    Maria Stuarda (Maria Stuart, Oper in 3 Akten) (Gesamtaufnahme: 2. Teil)

    • 27. E pensi? E tardi?
    • 28. Quella vita a me funesta
    • 29. Ah! Deh! Per pietà sospendi
    • 30. D'una sorella, o barbara - Vanne, indegno: T'appare sul volto
    • 31. La perfida insultarmi anche volea
    • 32. Oh mio buon Talbot!
    • 33. Quando di luce rosea
    • 34. Lascia contenta al carcere
    • 35. Vedeste? - Vedemmo - Oh truce apparato!
    • 36. Anna - Qui più sommessi favellate
    • 37. Deh! Tu di un umile preghiera il suono
    • 38. Oh colpo! - E gia vicino del tuo morir l'istante
    • 39. Di un cor che muore reca il perdono
    • 40. Giunge il conte
    • 41. Ah! Se un giorno da queste ritorte
    • 42. Applaus - Abspann


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