Гендель Георг Фридрих

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Presented by the Festival della Valle d’Itria, this is the first modern-day staging of Leonardo Leo’s Neapolitan revision of Handel’s Rinaldo, a pastiche with a Mediterranean allure, which was composed in 1718 but considered lost until a few years ago. The story behind this rare opera is fascinating: the score of Handel’s masterpiece was brought illegally to Naples by the castrato singer Nicolò Grimaldi, who had performed Rinaldo in London. Once in Italy, the work was given a makeover by local composers, including Leo, who adapted it to the taste of the Neapolitan public, adding intermezzos and amusing characters. Director Giorgio Sangati has transformed Leo’s revision into a ‘ba-rock’ opera set in the 1980s, where the struggle between Christians and Turks is re-imagined as a battle between pop-rock singers (the Christians) and heavy-metal performers (the Turks). The two factions represent opposite perspectives on life and love. Conductor Fabio Luisi leads the Ensemble La Scintilla, a group of specialists in Baroque repertoire.

John Beard (c. 1716–1791) was a young tenor who came to George Frideric Handel’s attention when still a teenager. He inspired the great composer to give new focus to the tenor voice within his English oratorios. Beard was Handel’s ideal in his demands for ‘articulate utterance of the words and a just expression of the melody’ – a collaboration that climaxed in Handel’s creation of the first truly great tenor part as the hero in Samson. GRAMMY® Award-winning tenor Aaron Sheehan steps into John Beard’s shoes equipped with a voice of ‘shining quality and deep sensitivity’ (The New York Times).

Presented by the Festival della Valle d’Itria, this is the first modern-day staging of Leonardo Leo’s Neapolitan revision of Handel’s Rinaldo, a pastiche with a Mediterranean allure, which was composed in 1718 but considered lost until a few years ago. The story behind this rare opera is fascinating: the score of Handel’s masterpiece was brought illegally to Naples by the castrato singer Nicolò Grimaldi, who had performed Rinaldo in London. Once in Italy, the work was given a makeover by local composers, including Leo, who adapted it to the taste of the Neapolitan public, adding intermezzos and amusing characters. Director Giorgio Sangati has transformed Leo’s revision into a ‘ba-rock’ opera set in the 1980s, where the struggle between Christians and Turks is re-imagined as a battle between pop-rock singers (the Christians) and heavy-metal performers (the Turks). The two factions represent opposite perspectives on life and love. Conductor Fabio Luisi leads the Ensemble La Scintilla, a group of specialists in Baroque repertoire.

The Coronation of King George II was a magnificent event, deploying great pomp and ceremonial, elevated by music of an equal splendour. Handel, the celebrated opera composer, was commissioned by the new king to compose the music for this grand ceremony which was due to be held at Westminster Abbey. His antiphons stood by ceremonial works by other composers such as Henry Purcell, John Blow, Thomas Tallis, John Farmer, Orlando Gibbons and William Child, intermingled with superb fanfares and processions of drums. The result is one of the most beautiful ceremonial works ever written for a coronation in England.

Handel’s pastoral opera is a tale of love, tragedy and liberation. The libretto by John Gay, based on Ovid’s Metamorphoses (book XIII), tells of the eternal love between the mortal shepherd Acis and goddess Galatea and how it is doomed by the jealous cyclops Polyphemus. Handel’s music beautifully demonstrates the pain and love in such beautiful, dramatic choruses as ‘Wretched lovers!’ and the grief felt by Galatea in ‘Must I my Acis still bemoan’. Staying true to the premiere in 1718, just five singers and nine instrumentalists feature on this intimate recording.

Artist: Lucie Horsch Label: Decca

Георг Фридрих Гендель — выдающийся немецкий композитор, современник Баха, впоследствии ставший английским подданным. Однажды в беседе с одним из своих почитателей Гендель сказал: «Мне было бы досадно, милорд, если бы я доставлял людям только удовольствие. Моя цель — делать их лучше…» На диск вошли самые знаменитые произведения композитора: «Музыка на воде», «Музыка для королевского фейерверка», органные концерты, оратория «Мессия».

Artist: Handel Label: Decca Uk

Kermes’s singing, as so often, provoked mixed feelings Her diamantine coloratura is brilliantly displayed…In the slower numbers that predominate here I’m less convinced. While her soft singing... — Gramophone Magazine, August 2019

● From the original masters of Universal Music ● Audiophile analogue mastering by Rainer Maillard at Emil Berliner Studios. ● 180g audiophile virgin vinyl pressed by Pallas GmbH in Germany RECORDING INFORMATION Recorded : 25~27 Jan 1955, Capitol Studio A, 46th Street, New York Producer: Richard C. Jones Balance Engineer : Frank Abbey

An excellent cast in one of Handel's greatest operas. — BBC Music Magazine, October 2005

Rolf Lislevand and Concerto Stella Matutina first worked on a project in 2011, which would result in a prosperous collaboration in concert series and now, the release of their first CD together. The album is a mix of baroque and jazz as well as improvised passages with music arranged for the 12 people orchestra by Andrea Falconieri, Giovanni Girolamo Kapsberger, Girolamo Frescobaldi, Johann Heinrich Schmelzer and Vincenzo Albrici. Bringing the elements of baroque and jazz together and developing a new kind of music by optimizing the instruments of Early Music and giving each instrument section its moment on the recording was the goal of this release. With this intimate and wel lmixed recording, the musicians did not aim to create crossover music or fit into any other genre but rather generate a sound that is a symbiosis of different musical elements.

Les Arts Florissants offers full-bodied grandeur as well as profound pathos in this showcase of Handel’s unsurpassed gift for ceremonial music associated with Queen Caroline, George II’s consort. — BBC Music Magazine, November 2018

From the original masters of Universal Music Audiophile analogue mastering by Rainer Maillard at Emil Berliner Studios. 180g audiophile virgin vinyl pressed by Pallas GmbH in Germany Recording Information Recorded : Mar & Apr 1959 at Capitol Studio A, New York

his new studio recording should satisfy anyone who fancies investigating an offbeat slice of 18th-century operatic history. The young cast all have the requisite fluent coloratura technique and dramatize as vividly as their music allows. The silvery-toned Robin Johannsen, as a Dido by turns touching and commanding, contrasts just sufficiently with Olivia Vermeulen’s warmer mezzo as Aeneas.