Дворжак Антонин Леопольд

Antonin Dvorak: Arien aus Die Jakobiner, Rusalka, Armida, Katinka und der Teufel +Zdenek Fibich: Arien aus Sarka & Die Braut von Messina +Leos Janacek: Arien aus Jenufa +Vitezlav Novak: Arien aus Karlstejn +Bedrich Smetana: Arien aus Dalibor, Die zwei Witwen, Libuse, Die Teufelswand +Lieder von Novotny, Rosenkranz, Skrivan

Giuseppe Verdi: Arien aus La Traviata, Otello, Il Trovatore +Wolfgang Amadeus Mozart: Arien aus Don Giovanni +Giacomo Puccini: Arien aus La Boheme +Antonin Dvorak: Lied an den Mond aus Rusalka +Franz Lehar: Vilja-Lied aus Die lustige Witwe

Упаковка: Digi Pack Битpeйт: 256 kbit/s Bpeмя: 360 мин.

Sueye Park introduced herself to the general public in 2017 with no less a calling-card than Paganini's 24 Caprices for solo violin. On the present disc, the South-Korean violinist (born in 2000) has a pianist at her side, namely Love Derwinger, himself known from a number of recordings. The repertoire is also a more varied offering this time, with violin favourites such as Elgar's tender Salut d'amour and Tchaikovsky's Mélodie, as well as more virtuosic fare, for instance in the fireworks of Wieniawski's Scherzo-Tarantelle. Sueye also includes two solo works on the disc: Ernst's much-loved Last Rose and in a nod to her previous disc Paganiniana, Nathan Milstein's fantasy on themes by Paganini. Performed with equal measures of poetic sensitivity and effortless virtuosity, this is a recital to dip into as well as to listen to from start to finish from the fiery passion of Pablo de Sarasate's Introduction et Tarantelle to Contemplation, Heifetz transcription of Brahms's song Wie Melodien zieht es mir.

Following the huge success of the 2017 release, “Cinema per archi”, featuring the music of Rota, Morricone and Piovani, the Arcana label is back with another recording by the Archidi Santa Cecilia conducted by Luigi Piovano, the eminent cellist whose duo performances with Antonio Pappano have met with widespread acclaim among chamber music aficionados. Composed of players from the excellent Orchestra Sinfonica Nazionale di Santa Cecilia, the ensemble here interprets two of the best loved works of the entire string repertoire: the Serenata in C major op. 48 by Tchaikovsky, and the Serenata in E major op. 22 by Dvorák. Both of these works have been special attractions in concert programs at the Auditorium Parco della Musica in Rome and in other prominent concert venues throughout Italy (Ravello Festival, Naples, Ravenna, Reggio Emilia, L’Aquila, Piacenza). The Ensemble’s enormously successful first recording of music by Schubert, including Mahler’s arrangement of Death and the Maiden, was described by Ralph Moore on “MusicWeb International”as «mesmerising, Intense, thrilling and liberated in away too few recordings are these days» and elicited David Vernier to declare in “Classics Today” that «the concluding fourth movement Presto is an impressive display of ensemble virtuosity».

● From the original masters of Universal Music ● Audiophile analogue mastering by Rainer Maillard at Emil Berliner Studios. ● 180g audiophile virgin vinyl pressed by Pallas GmbH in Germany RECORDING INFORMATION Recorded : 28.11 - 4.12 1972 & 12-16. 2. 1973

André Navarra (1911–1988), together with Pierre Fournier and Maurice Gendron, was acknowledged as one of the “three great” French cellists who left their mark on the European concert life of their era. He was born in Biarritz, won first prizes at the age of 13 and 16, and gained early practical experience in chamber-music ensembles before celebrating his solo debut in 1931 with the Concerts Colonne. After a stupendous competition win in 1937 in Vienna he began an international career that was to last for more than three decades. In parallel, Navarra began teaching: starting in 1949 (until 1979) he was professor at the Paris Conservatoire; from 1953 he also taught at the Accademia in Siena and at the Vienna College of Music, and from 1958 to 1986 he was a member of the illustrious teaching team at the Nordwestdeutsche Musikakademie in Detmold, where his colleague on violin Tibor Varga taught. He can be heard playing with Varga on this 10-CD collection as well as on numerous studio and live recordings made at various times along the way of his remarkable career. (transl. JMBerridge)

В этом году, посвященном столетию со дня рождения Леонарда Бернстайна, Sony Classical представит специальное издание его записей, сделанных в течении 50-х и 60-х годов на американском отделении Columbia Records. Многие из самых знаменитых интерпретаций и работ дирижера-композитора собраны здесь на этих 15 тщательно отобранных оригинальных альбомах на 16 компакт-дисках.

Recording Information Recorded : 26-27 Oct 1963 at West Hampstead Studio 3 Producer: Ray Minshull Engineer: Kenneth Wilkinson From the original masters of Universal Music Audiophile analogue mastering by Rainer Maillard at Emil Berliner Studios. 180g audiophile virgin vinyl pressed by Pallas GmbH in Germany

In this rewarding album, the Melos Quartet play chamber music from the 1870s and ‘80s, crowned by the Piano Quintet in a major with its dumka second movement. — BBC Music Magazine, Christmas Issue 2018

Собрание лучших сочинений, записанных для Warner Classics величайшим виолончелистом ХХ века Мстиславом Ростроповичем, из серии релизов 50 Best Series

После выхода в прошлом годуполного собрания сочинений, выпущенного к 10-летию со дня смерти Мстислава Ростроповича, величайший виолончелист своего времени стал частью серии 100/50 Best Series. Эти две новые компиляции демонстрируют лучшее из его записей для Warner Classics в ремастеринге 2017 года, как виолончелиста так и дирижера.

Славянские экспортные хиты: восточноевропейские танцы были в моде у венской публики 19-го века. Именно поэтому Иоганнес Брамс рекомендовал Антонина Дворжака своему издателю Николаусу Зимроку, назвав своего на тот момент еще неизвестного друга «экспертом» в этом вопросе. Вложение окупилось сполна: сочиняя музыку на своем «родном языке», Дворжак превратился в настоящего кумира толпы со своими славянскими танцами, которые сделали его знаменитым за одну ночь и стали золотой жилой для его издателя. Запись сделал легендарный Берлинский филармонический оркестр под управлением Лорина Маазеля.

Listening to a performance as good as this, it is hard to understand why we don’t hear the Sextet more frequently today…The Jerusalem Quartet, joined by Veronika Hagen (viola) and Gary Hoffman... — BBC Music Magazine, June 2018