Фирма Bureau B
Bureau B
1 CD
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Артикул: CDVP 3504734
EAN: 4015698015928
Состав: 1 CD
Состояние: Новое. Заводская упаковка.
Лейбл: Bureau B
Жанры: Electro/Ambient
Record Label: Bureau B
Style: Electronica
2 LP/CD
WILDE JAGD, DIE - Uhrwald Orange
(2018-04-06)
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Артикул: CDVP 3457563
EAN: 4015698015072
Состав: 2 LP/CD
Состояние: Новое. Заводская упаковка.
Дата релиза: 06-04-2018
Лейбл: Bureau B
Жанры: Electro/Ambient
Record Label: Bureau B
Style: Electro Pop
1 CD
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Артикул: CDVP 3457331
EAN: 4015698015065
Состав: 1 CD
Состояние: Новое. Заводская упаковка.
Дата релиза: 01-01-2018
Лейбл: Bureau B
Record Label: Bureau B
Style: Electro Pop
1 LP
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Артикул: CDVP 3404046
EAN: 4015698013061
Состав: 1 LP
Состояние: Новое. Заводская упаковка.
Лейбл: Bureau B
Жанры: Dark/Gothic
Record Label: Bureau B
Style: Electronic
1 LP
Под заказ
Артикул: CDVP 3404045
EAN: 4015698013085
Состав: 1 LP
Состояние: Новое. Заводская упаковка.
Дата релиза: 01-01-2018
Лейбл: Bureau B
Жанры: Dark/Gothic
Record Label: Bureau B
Style: Electronic
1 CD
HELDON - Electronique Guerilla (Heldon I)
(2018-03-16)
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Артикул: CDVP 3403812
EAN: 4015698013054
Состав: 1 CD
Состояние: Новое. Заводская упаковка.
Лейбл: Bureau B
Жанры: Electro/Ambient
Record Label: Bureau B
Style: Electronic
1 CD
Под заказ
Артикул: CDVP 3403811
EAN: 4015698013078
Состав: 1 CD
Состояние: Новое. Заводская упаковка.
Дата релиза: 01-01-2018
Лейбл: Bureau B
Жанры: Electro/Ambient
Record Label: Bureau B
Style: Electronic
1 CD
LP (12")
Под заказ
Артикул: CDVP 3360654
EAN: 4015698010565
Состав: LP (12")
Состояние: Новое. Заводская упаковка.
Дата релиза: 03-11-2017
Лейбл: Bureau B
Жанры: Electro/Ambient
Limited. On the occasion of its 40th anniversary in 2007, the the Kunsthalle Düsseldorf the "düsseldorf sounds", a "Festival on Art and Music from Düsseldorf ". A very special one Event took place in the cinema: Dieter Moebius and Stefan Schneider gave their only concert together. Dieter Moebius (1944-2015) was part of the band Kluster, to which also Hans-Joachim Roedelius and Conrad Schnitzler, and those in in the years 1970/71 in Düsseldorf. Stefan Schneider, Born in Düsseldorf and founding member of Kreidler and To Rococo Rot, invited Moebius to a party for "düsseldorf sounds because, Schneider remembers,"For a concert together, because:" For In 2007 he was not a figure of the past, but rather a an exciting contemporary musician who continues to be a master of the and slowly changing his sound world, transforming it into a world of music. movement without large breaks or alleged cracks. light "that Moebius, like Moebius, needs to use' radical' twists and turns." other musicians of his generation in the 1970s "the has followed the path once chosen throughout his life and always looking for new constellations in his music, impressed me. Moebius has also worked with clusters - according to Schnitzler's exit in 1971 they wrote themselves with C - or Harmonia never played back old pieces, but every concert from the beginning "... started." Moebius accepted the invitation;
the performance was discussed only at a short meeting in Berlin, the concert itself was completely improvised. In response to a journalist's question about the differences between visual arts and music after the concert Moebius replied, as disarming as lapidary:"Why Differences - is both art.
Record Label: Bureau B
Style: Electronica
1 CD
Brockmann & Bargmann - Licht
(2017)
Под заказ
Артикул: CDVP 3344027
EAN: 4015698010831
Состав: 1 CD
Состояние: Новое. Заводская упаковка.
Дата релиза: 01-01-2017
Лейбл: Bureau B
Исполнители: Brockmann and Bargmann / Brockmann and Bargmann
Жанры: Поп
Artist: Brockmann; Artist: Bargmann
Label: Bureau B
LP (7")
PLAN, DER - Gefährliche Clowns (red Vinyl)
(2016-12-20)
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Артикул: CDVP 3296128
EAN: 4015698009675
Состав: LP (7")
Состояние: Новое. Заводская упаковка.
Лейбл: Bureau B
limited cult underground hit of the early German New Wave.
Record Label: Bureau B
Style: Electro Pop
1 LP
DEYEN, ADELBERT VON - Nordborg
(2016-12-02)
Под заказ
Артикул: CDVP 3262953
EAN: 4015698006414
Состав: 1 LP
Состояние: Новое. Заводская упаковка.
Дата релиза: 02-12-2016
Лейбл: Bureau B
Жанры: Electro/Ambient
Electronic musician Adelbert von Deyen’s debut and sophomore album were released just a year apart from each other. “Sternzeit” was followed by “Nordborg”, which featured only one track on each side. Again, von Deyen took his time crafting a meditative maelstrom of ambient sounds. The B-side, “Iceland”, is actually an acoustic interpretation of a snowstorm in Nordborg, Denmark, as remembered by von Deyen. Von Deyens debut album “Sternzeit” had caused quite a stir in 1978 in his home town of Lübeck, where the unconventional young artist found himself inundated with fan mail and booked for autograph sessions. His contract with Sky Records obliged him to deliver a set number of albums to the label— one per year. Enjoying financial independence, he was able to give up his job and focus exclusively on his music. “Nordborg” appeared in 1979 and featured just two tracks, one on each side. It was inspired by a short holiday in Nordborg on the Danish island of Alsen, which coincided with a violent blizzard. “Moonrise”, the A-side title, is a slow motion improvisation on the rising of the moon on Nordborg. Opening with synths evocative of seagull cries, meditative soundscapes mesh together massive lead sounds in unhurried harmony. Winds swirl, synths twist into electronic spheres of sound, drifting without any clear dramatic structure. Immersed in introspection, Adelbert von Deyen celebrates life in the moment. “Iceland”, the B-side piece, depicts the snowstorm. Perfect for Adelbert von Deyen’s artistic expression: sustained organ tones deliver beat frequencies, an electric piano pattern is lost in reverie, winds build through the ARP Odyssey, finally sinking into icy melancholy and detached organ tones. Towards the end we are reconciled by an almost sacral organ part which Adelbert von Deyen brings full circle as he returns to the opening theme. Adelbert von Deyen recorded the second album, like the first, on a Revox A77 tape machine in his little home studio. The instrument list echoes that of “Sternzeit”, with an ARP Odyssey performance synthesizer, a Far fisa VIP 233 organ, a Far fisa String-Orchestra, Hohner Clavinet D6 electric piano, rhythm computer and an electric guitar.
Record Label: Bureau B
Style: Electronica
1 LP
Под заказ
Артикул: CDVP 3262952
EAN: 4015698006438
Состав: 1 LP
Состояние: Новое. Заводская упаковка.
Дата релиза: 01-01-2016
Лейбл: Bureau B
Жанры: Electro/Ambient
Album number three from electronic musician Adelbert von Deyen marks the end of his ambient phase. Whilst “Atmosphere” (1980) largely swathes listeners in familiarly vast expanses of sound, the driving analogue drums of the opening track (von Deyen’s most successful, as it turned out) signal a shift towards Elektro-Kraut terrain. “Atmosphere” showcases Adelbert von Deyen at the peak of his powers. The opening track, “Timemachine”, sees him launch into zestful Electro-Krautrock, aided and abetted by Wolfgang Zabba Lindner on drums. Lindner had already popped up in the early 1970s in a prog-rock combo by the name of Tomorrow’s Gift and recorded an interesting experimental percussion album in 1974 with Carsten Bohn (“Vollbedienung of Percussion”). He can also be heard on the second piece “Silverrain” (in rather less zestful mode). A further eight tracks follow, revolving around the theme of “Atmosphere”. Layers of synths glide slowly by, accompanied by drones which resound for minutes on end. Beats and synth FX add to the air of contemplation. A huge amount of time and money went into the production of this album. Adelbert von Deyen composed tirelessly in his home studio, experimenting with his synthesizers and searching for new sounds. Lars Hidde added the final touches, taking care of the mix and mastering at Star Studio, Hamburg. All, in all, it was worth the effort. Atmosphere proved to be Adelbert von Deyen’s most successful album. In his biography he writes: “Reactions to this opus were extreme, but absolutely positive, especially in other countries. ‘Time machine’ appeared on quite a few LP and CD compilations and became an instrumental hit, the single selling around fifty thousand copies!” If Adelbert von Deyen’s first two albums saw him strive for artistic and financial independence, “Atmosphere” marked the beginning of a metamorphosis. We are still in the sphere of ambient electronica, but the first two tracks are indicative of a clear shift towards Krautrock or electronic rock. Von Deyen's next album would head off in a different direction altogether. The soft rock ballads and socially critical lyrics of “Eclipse” came as a complete surprise.
Record Label: Bureau B
Style: Electronica
1 CD
Под заказ
Артикул: CDVP 3262891
EAN: 4015698006391
Состав: 1 CD
Состояние: Новое. Заводская упаковка.
Дата релиза: 09-12-2016
Лейбл: Bureau B
Жанры: Singer / Songwriter
Electronic musician Adelbert von Deyen’s debut and sophomore album were released just a year apart from each other. “Sternzeit” was followed by “Nordborg”, which featured only one track on each side. Again, von Deyen took his time crafting a meditative maelstrom of ambient sounds. The B-side, “Iceland”, is actually an acoustic interpretation of a snowstorm in Nordborg, Denmark, as remembered by von Deyen. Von Deyens debut album “Sternzeit” had caused quite a stir in 1978 in his home town of Lübeck, where the unconventional young artist found himself inundated with fan mail and booked for autograph sessions. His contract with Sky Records obliged him to deliver a set number of albums to the label— one per year. Enjoying financial independence, he was able to give up his job and focus exclusively on his music. “Nordborg” appeared in 1979 and featured just two tracks, one on each side. It was inspired by a short holiday in Nordborg on the Danish island of Alsen, which coincided with a violent blizzard. “Moonrise”, the A-side title, is a slow motion improvisation on the rising of the moon on Nordborg. Opening with synths evocative of seagull cries, meditative soundscapes mesh together massive lead sounds in unhurried harmony. Winds swirl, synths twist into electronic spheres of sound, drifting without any clear dramatic structure. Immersed in introspection, Adelbert von Deyen celebrates life in the moment. “Iceland”, the B-side piece, depicts the snowstorm. Perfect for Adelbert von Deyen’s artistic expression: sustained organ tones deliver beat frequencies, an electric piano pattern is lost in reverie, winds build through the ARP Odyssey, finally sinking into icy melancholy and detached organ tones. Towards the end we are reconciled by an almost sacral organ part which Adelbert von Deyen brings full circle as he returns to the opening theme. Adelbert von Deyen recorded the second album, like the first, on a Revox A77 tape machine in his little home studio. The instrument list echoes that of “Sternzeit”, with an ARP Odyssey performance synthesizer, a Far fisa VIP 233 organ, a Far fisa String-Orchestra, Hohner Clavinet D6 electric piano, rhythm computer and an electric guitar.
Record Label: Bureau B
Style: Electronica
1 CD
Под заказ
Артикул: CDVP 3262890
EAN: 4015698006421
Состав: 1 CD
Состояние: Новое. Заводская упаковка.
Дата релиза: 09-12-2016
Лейбл: Bureau B
Жанры: Electro/Ambient
Album number three from electronic musician Adelbert von Deyen marks the end of his ambient phase. Whilst “Atmosphere” (1980) largely swathes listeners in familiarly vast expanses of sound, the driving analogue drums of the opening track (von Deyen’s most successful, as it turned out) signal a shift towards Elektro-Kraut terrain. “Atmosphere” showcases Adelbert von Deyen at the peak of his powers. The opening track, “Timemachine”, sees him launch into zestful Electro-Krautrock, aided and abetted by Wolfgang Zabba Lindner on drums. Lindner had already popped up in the early 1970s in a prog-rock combo by the name of Tomorrow’s Gift and recorded an interesting experimental percussion album in 1974 with Carsten Bohn (“Vollbedienung of Percussion”). He can also be heard on the second piece “Silverrain” (in rather less zestful mode). A further eight tracks follow, revolving around the theme of “Atmosphere”. Layers of synths glide slowly by, accompanied by drones which resound for minutes on end. Beats and synth FX add to the air of contemplation. A huge amount of time and money went into the production of this album. Adelbert von Deyen composed tirelessly in his home studio, experimenting with his synthesizers and searching for new sounds. Lars Hidde added the final touches, taking care of the mix and mastering at Star Studio, Hamburg. All, in all, it was worth the effort. Atmosphere proved to be Adelbert von Deyen’s most successful album. In his biography he writes: “Reactions to this opus were extreme, but absolutely positive, especially in other countries. ‘Time machine’ appeared on quite a few LP and CD compilations and became an instrumental hit, the single selling around fifty thousand copies!” If Adelbert von Deyen’s first two albums saw him strive for artistic and financial independence, “Atmosphere” marked the beginning of a metamorphosis. We are still in the sphere of ambient electronica, but the first two tracks are indicative of a clear shift towards Krautrock or electronic rock. Von Deyen's next album would head off in a different direction altogether. The soft rock ballads and socially critical lyrics of “Eclipse” came as a complete surprise.
Record Label: Bureau B
Style: Electronica
1 LP
Под заказ
Артикул: CDVP 3252956
EAN: 4015698006674
Состав: 1 LP
Состояние: Новое. Заводская упаковка.
Дата релиза: 01-01-2016
Лейбл: Bureau B
Жанры: Electro/Ambient
Compiled By John McEntrie. The first ever (!) compilation of Cluster recordings will be released in the Kollektion Series. compiled by John McEntire (Tortoise / The Sea and Cake). Cluster's influence on the development of electronic music cannot be overstated. The original trio of Conrad Schnitzler, Hans-Joachim Roedelius and Dieter Moebius released two seminal albums as Kluster before Roedelius and Moebius replaced the K with a C and continued as a duo. They produced eight albums in their most innovative period between 1971 and 1981, two of them together with another pioneer of electronic music, Brian Eno. Cluster anticipated much of what would later emerge in such varied styles as industrial, ambient, electro and even synthpop. Some call Cluster's music avant-garde, others Krautrock or Kosmische Musik. Few would dispute their immense influence on the music of younger generations, even though commercial success largely eluded them. Hence their first album, as a microcosm of their entire oeuvre, made the list of "100 Records That Set The World On Fire (While No One Was Listening)" in "The Wire" magazine, the ultimate purveyor of good taste. About John McEntire: Drummer / percussionist;
recording engineer / producer. LP - First 500 units on white vinyl with a special colouring cover.
Record Label: Bureau B
Style: Electro
1 CD
Под заказ
Артикул: CDVP 3252773
EAN: 4015698006667
Состав: 1 CD
Состояние: Новое. Заводская упаковка.
Дата релиза: 01-01-2016
Лейбл: Bureau B
Жанры: Electro/Ambient
Compiled By John McEntrie. The first ever (!) compilation of Cluster recordings will be released in the Kollektion Series. compiled by John McEntire (Tortoise / The Sea and Cake). Cluster's influence on the development of electronic music cannot be overstated. The original trio of Conrad Schnitzler, Hans-Joachim Roedelius and Dieter Moebius released two seminal albums as Kluster before Roedelius and Moebius replaced the K with a C and continued as a duo. They produced eight albums in their most innovative period between 1971 and 1981, two of them together with another pioneer of electronic music, Brian Eno. Cluster anticipated much of what would later emerge in such varied styles as industrial, ambient, electro and even synthpop. Some call Cluster's music avant-garde, others Krautrock or Kosmische Musik. Few would dispute their immense influence on the music of younger generations, even though commercial success largely eluded them. Hence their first album, as a microcosm of their entire oeuvre, made the list of "100 Records That Set The World On Fire (While No One Was Listening)" in "The Wire" magazine, the ultimate purveyor of good taste. About John McEntire: Drummer / percussionist;
recording engineer / producer.
Record Label: Bureau B
Style: Electro
LP/CD
Под заказ
Артикул: CDVP 3252513
EAN: 4015698007916
Состав: LP/CD
Состояние: Новое. Заводская упаковка.
Дата релиза: 25-11-2016
Лейбл: Bureau B
Жанры: Electro/Ambient
Schneider TM on his con-struction: I am very happy and honored to be invited to do an album for the Con-Struct series and wanted to do something special and genuine in this posthumous collaboration with Conrad Schnitzler. I wanted to get as close to his spirit as possible, so I created a musical situation as if we were actually collaborating together in the same room, with Conrad playing his pre-recorded sound-files or modular system and me dubbing and processing it live on the fly… almost as if it was a live-concert situation. Next to many other aspects of Schnitzler’s vast oeuvre, I am fond of the noisy, polyharmonic, polyrhythmic and sometimes quite humorous minimalism of his music, as well as his way of using chance, which often leads to magical and raw beauty. There are no other sounds on this record except for ones created by Schnitzler, sent through my system and processed live. During the sessions I had the feeling of being in a conversation with him. And when I met his widow, Gisela Schnitzler, she told me that they still talk every evening, more than five years after his death, and that he’s still around for sure. So, Conrad, thanks a lot for this experience!
Record Label: Bureau B
Style: Electronica
1 CD
Под заказ
Артикул: CDVP 3252341
EAN: 4015698007893
Состав: 1 CD
Состояние: Новое. Заводская упаковка.
Дата релиза: 25-11-2016
Лейбл: Bureau B
Жанры: Crossover / Popular Classic
Schneider TM on his con-struction: I am very happy and honored to be invited to do an album for the Con-Struct series and wanted to do something special and genuine in this posthumous collaboration with Conrad Schnitzler. I wanted to get as close to his spirit as possible, so I created a musical situation as if we were actually collaborating together in the same room, with Conrad playing his pre-recorded sound-files or modular system and me dubbing and processing it live on the fly… almost as if it was a live-concert situation. Next to many other aspects of Schnitzler’s vast oeuvre, I am fond of the noisy, polyharmonic, polyrhythmic and sometimes quite humorous minimalism of his music, as well as his way of using chance, which often leads to magical and raw beauty. There are no other sounds on this record except for ones created by Schnitzler, sent through my system and processed live. During the sessions I had the feeling of being in a conversation with him. And when I met his widow, Gisela Schnitzler, she told me that they still talk every evening, more than five years after his death, and that he’s still around for sure. So, Conrad, thanks a lot for this experience!
Record Label: Bureau B
Style: Electronica
1 CD
Под заказ
Артикул: CDVP 3252254
EAN: 4015698007596
Состав: 1 CD
Состояние: Новое. Заводская упаковка.
Дата релиза: 01-01-2016
Лейбл: Bureau B
Жанры: Ambient Berlin-School Minimal
From 1971 to 1977, Peter Baumann was a member of the legendary Berlin band TANGERINE DREAM. The group were pioneers of the so called Berlin School which had such a profound impact on electronic music. He also enjoyed success as a solo artist. His first two solo works are now being reissued with extensive liner notes and rare photographs . „ Trans Harmonic Nights“, Baumann’s second solo album, sees him continue to break free from the gravita tional pull of Tangerine Dream. Hans-Joachim Roedelius was recording the „Jardin au Fou“ album at the same time in his Paragon Studio and some of his carefree positivity seems to have rubbed off on Baumann, judging by the music he came up with. The production phase for “ Trans Harmonic Nights” covered 16 months or thereabouts. Having built the studio and taken care of production on albums for Cluster, Asmus Tietchens, Conrad Schnitzler and Hans-Joachim Roedelius, many of which came out on the French label Egg, he had neither the time nor the inclination to focus on his own compositions. Numerous tracks on the album were actually created at the end of the working day, on downtime, just for fun in the unfinished studio. Peter Baumann explains: “It was a completely different time for music, everything we did was sponta - neous, in the moment. My first two records happened when I was working in the studio, simply expressing myself as a musician, sen - sing which emotions, timbres, rhythms and melodies were closest to me.” This approach shines through the music, underpinning its authentici - ty and making the album such a delight to listen to today: carefree, playful, unbelievably euphoric. Synth lines are exhiliratingly entwi - ned with synthetic plucks, experimental sounds crystallize into sweet melodies, building into ecstatic breaks. Majestic Mellotron choirs and added vocoder tones lend an ethereal, surreal touch. It is virtually impossible not to get caught up in this rapture, to be swayed by the infectiously upbeat nature of the music. Hans-Joa - chim Roedelius was producing his Jardin au Fou album at the same time and one might be forgiven for thinking that his carefree positivi - ty rubbed off on Baumann. Not long after releasing this album, Peter Baumann relocated to the USA where he recorded two more albums by the year 1983, domi - nated by wave and synth pop sounds. In 1984 he founded his own label, Private Music. In the late 1990s he withdrew from the music business altogether, only resurfacing in May 2016 with a new solo album entitled “Machines Of Desire”
Record Label: Bureau B
Style: Electronica