Фирма Relapse Records

A brand new vinyl re-release of the legendary debut album by Mastodon! A limited edition in clear color with golden and blue paint sprayers. Vinyl, LP, Compilation, Limited Edition, Repress, Blue and Metallic Gold Galaxy merge

Artist: Myrkur Label: Relapse

Artist: Myrkur Label: Relapse

Artist: Cloakroom Label: Relapse

Compliments have rained down on Dying Fetus since the release of Wrong One to Fuck With. It is essentially the first Dying Fetus record that has made an impression on me since acquiring their back catalog some years ago. The band push the technical nature of their execution, but more importantly write some of the catchiest songs of their career. There’s still plenty of slam sections, but they don’t prove that slam is essentially a sub-genre with lesser practitioners holding the banner. The band go into blast mode in a heartbeat, and the band play the most technical material they’ve made in years, all to the benefit of technical brutal death metal fans that don’t prefer technical wankery for its own sake. It is an uncommonly productive year for prominent brutal death metal bands, this release being the second album released by an influential band this year, following Suffocation’s Of the Dark Light. Dying Fetus, like Suffocation, is still releasing quality material, the best in fact they’ve ever done. The slam sections prompt some inspired headbanging. I couldn’t stop listening to the album and this is notably the first technical death metal album I’ve enjoyed in a while. None of the songs are entirely built on faster or slower sections. Wrong One to Fuck With sees some balanced songwriting throughout the album’s runtime. Listening to the album from start to finish isn’t hard to do. Fans who hate sweep picks will still find something to appreciate on Wrong One to Fuck With. No highlights tracks for me to consider naming. The dynamics in the band’s songwriting process is in its sharpest and most lethal on Wrong One to Fuck With. I can’t see the band doing better than this album in coming releases, but Dying Fetus is certain to release another album that can prove cynics wrong. There isn’t any perspective being cynical that justifies not checking out this album. The artwork is great, the music is suitably violent, and the nuance in riffs and tempo changes is outstanding. Clearly, the band is inspired to prove that technical death metal didn’t die years ago after the resurgence of the sub-genre forced lesser bands to hop on the trend. There’s more to the music than the riffs. The drumming is creative and precise, and the vocals, though deep and unintelligible, is performed with songwriting chops suiting the tempo and structure of the songs. 2017 may be death metal’s resurgence in a hugely popular time for genre-bending acts. The first album to consider whether this notion is accurate, is Dying Fetus’ Wrong One to Fuck With. Give technical brutal death metal a chance. Record Label: Relapse Style: Metal

Compliments have rained down on Dying Fetus since the release of Wrong One to Fuck With. It is essentially the first Dying Fetus record that has made an impression on me since acquiring their back catalog some years ago. The band push the technical nature of their execution, but more importantly write some of the catchiest songs of their career. There’s still plenty of slam sections, but they don’t prove that slam is essentially a sub-genre with lesser practitioners holding the banner. The band go into blast mode in a heartbeat, and the band play the most technical material they’ve made in years, all to the benefit of technical brutal death metal fans that don’t prefer technical wankery for its own sake. It is an uncommonly productive year for prominent brutal death metal bands, this release being the second album released by an influential band this year, following Suffocation’s Of the Dark Light. Dying Fetus, like Suffocation, is still releasing quality material, the best in fact they’ve ever done. The slam sections prompt some inspired headbanging. I couldn’t stop listening to the album and this is notably the first technical death metal album I’ve enjoyed in a while. None of the songs are entirely built on faster or slower sections. Wrong One to Fuck With sees some balanced songwriting throughout the album’s runtime. Listening to the album from start to finish isn’t hard to do. Fans who hate sweep picks will still find something to appreciate on Wrong One to Fuck With. No highlights tracks for me to consider naming. The dynamics in the band’s songwriting process is in its sharpest and most lethal on Wrong One to Fuck With. I can’t see the band doing better than this album in coming releases, but Dying Fetus is certain to release another album that can prove cynics wrong. There isn’t any perspective being cynical that justifies not checking out this album. The artwork is great, the music is suitably violent, and the nuance in riffs and tempo changes is outstanding. Clearly, the band is inspired to prove that technical death metal didn’t die years ago after the resurgence of the sub-genre forced lesser bands to hop on the trend. There’s more to the music than the riffs. The drumming is creative and precise, and the vocals, though deep and unintelligible, is performed with songwriting chops suiting the tempo and structure of the songs. 2017 may be death metal’s resurgence in a hugely popular time for genre-bending acts. The first album to consider whether this notion is accurate, is Dying Fetus’ Wrong One to Fuck With. Give technical brutal death metal a chance. Record Label: Relapse Style: Metal

Record Label: Relapse Style: Metal

now available: vinyl reissue of the classic Dying Fetus album as black LP plus Digital Download Code Record Label: Relapse Style: Death Metal

Relapse Records is excited to announce the vinyl reissue of DEATH’s legendary, fourth album Human! *Black and Blood Red Merge* Record Label: Relapse Style: Death Metal

Necrophagist‘s seminal, tech-death masterpiece Epitaph is once again available on vinyl for the first time since it’s release in 2004! Uniting head-spinning musicianship, elaborate arrangements and an acute sense of dynamics within composition, Epitaph reset the bar for complexity and technique in modern-day death metal! The official vinyl repress of Epitaph will see worldwide release ... Record Label: Relapse Style: Death Metal

Death metal masterpiece now reissued on Double 180 gram vinyl with new artwork from Travis Smith. This is a truly glorious metal release, certainly Death's finest hour, and easily one of the top metal albums of all time. The sheer ferocity and emotion that channels through each of the intricate, progressive guitar melodies shatters every low opinion of the American metal scene. When you combine Chuck Schuldiner's shrieking vocals (his eeriest performance ever) with the most talented, cohesive lineup yet, you get the definitive Death album. This album delicately mixes the best aspects of past albums Human, Individual Thought Patterns, and Symbolic and takes them one step further. The album is more aggressive, more progressive, and certainly more melodic. Record Label: Relapse Style: Death Metal

The self-titled debut album from mind-melting metallic jazz trio BRAIN TENTACLES is a journey in improvised and structured experimental sound from three venerable scene veterans. Featuring Bruce Lamont (Yakuza, Bloodiest, etc) on horns, voice, electric piano and synth, Dave Witte (Discordance Axis, Municipal Waste, etc) on drums, and Aaron Dallison (Keelhaul) on bass, voice, and synth, Brain Tentacles sees the threepiece weaving their way through twisted, seizure-inducing compositions that call to mind the insanity of John Zorn's storied project Naked City and Mike Patton's most erratic experiments. BRAIN TENTACLES are masters of tension: the album moves unpredictably from mathy chaos to ponderous, juddering grooves that warp time in their wake, darting from one extreme to the other via insane rhythms and truly progressive, expansive songwriting. Occasional vocals (including a guest appearance from Oxbow's Eugene Robinson) lend an even sharper edge to the album, which is sure to blow away fans of instrumental and vocal-driven music alike. Produced by Sanford Parker (Minsk, YOB, etc) and features artwork by Jef Whitehead of Leviathan! Record Label: Relapse Style: Rock

The self-titled debut album from mind-melting metallic jazz trio BRAIN TENTACLES is a journey in improvised and structured experimental sound from three venerable scene veterans. Featuring Bruce Lamont (Yakuza, Bloodiest, etc) on horns, voice, electric piano and synth, Dave Witte (Discordance Axis, Municipal Waste, etc) on drums, and Aaron Dallison (Keelhaul) on bass, voice, and synth, Brain Tentacles sees the threepiece weaving their way through twisted, seizure-inducing compositions that call to mind the insanity of John Zorn's storied project Naked City and Mike Patton's most erratic experiments. BRAIN TENTACLES are masters of tension: the album moves unpredictably from mathy chaos to ponderous, juddering grooves that warp time in their wake, darting from one extreme to the other via insane rhythms and truly progressive, expansive songwriting. Occasional vocals (including a guest appearance from Oxbow's Eugene Robinson) lend an even sharper edge to the album, which is sure to blow away fans of instrumental and vocal-driven music alike. Produced by Sanford Parker (Minsk, YOB, etc) and features artwork by Jef Whitehead of Leviathan! Record Label: Relapse Style: Rock

DEATH's legendary 1987 debut Scream Bloody Gore is more than just an untouchable album - upon its release, it was positively genre-creating. Scream Bloody Gore founded the quintessential death metal sound, with more tormented riffs, screams, and lead Record Label: Relapse Style: Death Metal

Artist: 16 Label: Relapse

Record Label: Relapse Style: Metal

Artist: Death Label: Relapse

Brooklyn, NY black metal quintet TOMBS have announced their first studio release with their new lineup, entitled All Empires Fall. Clocking in at 24 minutes long, the five track EP was recorded at Applehead Studios in New York and brought to life by renowned producer Sanford Parker (Minsk, Twilight, YOB). All Empires Fall is a commanding, crushingly heavy release, one that invokes the kind of grandeur and magnitude its title suggests, and affirms TOMBS as one of the leading lights of American – and international – black metal. Record Label: Relapse Style: Metal

Cult doom/sludge band GRAVES AT SEA unveil their long-awaited debut full-length, The Curse That Is, a tour-de-force of incredible magnitude almost 15 years in the making. After releasing a series of highly regarded demos and splits in the underground, the quartet has re-emerged, having recently cut their teeth performing on mainstages at Maryland Deathfest, Roadburn and numerous other festivals. Now GRAVES AT SEA unleash their strongest, most ear-shattering material to date. Engineered by Greg Wilkinson (Noothgrush, Brain Oil) and mastered by Brad Boatright (Sleep, YOB), The Curse That Is effortlessly fuses colossal walls of feedback-laden sound with gargantuan riffs that crush and crawl with the weight of mountains alongside thunderous rhythms meant to tear a hole in this dying earth. Coupled with self-loathing lyrics of torment and demise, the listener is engulfed in wave upon wave of aural misery throughout the 70+ minute ride through hell. This is music that will make you hurt. Record Label: Relapse Style: Doom Metal

Brooklyn, NY black metal quintet TOMBS have announced their first studio release with their new lineup, entitled All Empires Fall. Clocking in at 24 minutes long, the five track EP was recorded at Applehead Studios in New York and brought to life by renowned producer Sanford Parker (Minsk, Twilight, YOB). All Empires Fall is a commanding, crushingly heavy release, one that invokes the kind of grandeur and magnitude its title suggests, and affirms TOMBS as one of the leading lights of American – and international – black metal. Record Label: Relapse Style: Metal