Чайковский Пётр

|Пааво Ярви, главный дирижер и музыкальный руководитель Tonhalle-Orchester Zürich с октября 2019 года, запускает полную запись симфоний Чайковского, первую как в его богатой дискографии, так и в дискографии швейцарского оркестра: «Когда я думаю о Пятой симфонии, Я думаю об уязвимости и надежде. Он смотрит прямо в нашу душу. Возможно, это лучшая из его симфоний. Знаменитое соло валторны трогает меня и обогащает каждый раз, когда я его слышу… В отличие от Шестого, Пятое все еще дает надежду на жизнь ». Симфоническая поэма« Франческа да Римини »op. 32 завершает программу. Эта мрачная и жестокая «симфоническая фантазия после Данте», драма ревности, была показана в 1877 году одновременно с «Лебединым озером».

Classical

.. NOS. 4 & 5

.. NOS. 4 & 6; VIOLIN CONCERTO

.. BALLET MUSIC

.. NO. 3; VIOLIN CONCERTO

VARIOUS

Swan Lake has a special place in The Royal Ballet’s repertory. This new production by Artist in Residence Liam Scarlett features additional choreography whilst remaining faithful to Petipa and Ivanov’s classic. John Macfarlane’s opulent designs provide an atmospheric, period setting for this enthralling love story, illuminated by Tchaikovsky’s sublime score. Marianela Nuñez brings both poignancy and glitter to the dual role of Odette / Odile, with Vadim Muntagirov as the yearning Prince Siegfried, while the corps de ballet are showcased at their spellbinding best as the enchanted swans and cygnets. “What a magnificent achievement this is. The young choreographer Liam Scarlett has given Covent Garden its first new Swan Lake in 30 years, and it’s a winner. Big, bold and beautiful, it’s completely distinctive — Scarlett has put his stamp all over this production — yet it honours the traditions of the Royal Ballet." (The Times ★★★★★) “From glittering court acts to the misty romantic lakeside, it balances spectacle, storytelling and powerful dancing from the entire company, with Marianela Nuñez and Vadim Muntagirov on glorious form in the leading roles.” (The Independent ★★★★★) “… it stands out from so many other Swan Lakes in its attention to dramatic detail … Macfarlane beautifully transforms the stage to a blasted lake and a Turner-esque moon” (The Guardian ★★★★) Artists Marianela Nuñez (Odette/Odile), Vadim Muntagirov (Prince Siegfried), Elizabeth McGorian (The Queen), Bennet Gartside (Von Rothbart), Alexander Campbell (Benno), Akane Takada (Prince Siegfried’s Younger Sister), Francesca Hayward (Prince Siegfried’s Younger Sister) Orchestra of the Royal Opera House, Koen Kessels, choreography by Liam Scarlett after Marius Petipa and Lev Ivanov

• Celebrating the legacy of Herbert von Karajan 30 years after his death (16th July) • Mastered at 24bit/96kHz from original analogue sources • Presented on CD + High Fidelity Pure Audio Blu-ray disc in 24-bit audio

Warner Classics/Parlophone представляют новые выпуски в великолепной бюджетной серии 6-дисковых бокс-сетов 100 Best

Упаковка: Jewel Битpeйт: 256 kbps Bpeмя: 331

Упаковка: Подарочная Битpeйт: 256 kbit/s Bpeмя: 372 мин.

Упаковка: Digi Pack Битpeйт: 256 kbit/s Bpeмя: 360 мин.

We are indeed fortunate that Fritz Kreisler was still at the peak of his powers when electrical recording arrived in 1925. He was as busy as ever in the year covered by these recordings, using Vuillaume and Guarneri del Gesù violins that he said ‘breathe and pulsate with a million vibrations’. On one of his many successful charity concerts in 1927 The Times commented that Kreisler’s ‘fine-drawn phrases have the delicacy of a spider’s thread, the suppleness of elastic, and the strength of steel’. With wonderful examples of parlando bowing, many demonstrations of beautiful double-stopping, lovely staccato and myriad other subtleties such as delicate rhythmic changes, harmonics and variations in dynamics, these New York and Berlin sessions include classic versions of Kreisler’s best works and a rare unaccompanied movement by Bach

The festive series of concerts to celebrate the inauguration of Andris Nelsons and the 275th anniversary of the Gewandhausorchester concluded with a riveting performance of two of music history’s great symphonic works. Mozart’s Symphony No. 40 is one of only two that Mozart wrote in a minor key, which only adds to its singular reception in his canon of symphonies. Tchaikovsky was an admirer of Mozart’s music and paired the premiere of his Sixth Symphony, which he himself conducted, with dances from Mozart’s 'Idomeneo'. The 'Pathétique' would become his legacy as Tchaikovsky died only a few days after its premiere.

The legendary Vienna Mozart Ensemble which came into being in the early years after World War II will forever be associated with the name of the Austrian conductor Josef Krips (1902–1974). Born in Vienna, he had studied music there under Felix Weingartner, was principal violinist in the Volksoper orchestra, then Weingartner's assistant. He took posts as concert master in Aussig (now Ústí nad Labem in the Czech Republic), then Dortmund and Karlsruhe, where he was appointed General Music Director in 1926 before returning to Vienna, where in 1933 he was given the post of conductor at the Vienna State Opera. He left the country of his birth again in 1938 after the Anschluss, but in Belgrade he was prohibited from working after intervention by the Nazis. At the end of the war, Krips returned to Vienna and immediately became actively involved in the reconstruction of cultural life in the city on the Danube. His artistic and organisational skills were in demand in post-war Austria when it came to re-establishing the Salzburg Festival.

The festive series of concerts to celebrate the inauguration of Andris Nelsons and the 275th anniversary of the Gewandhausorchester concluded with a riveting performance of two of music history’s great symphonic works. Mozart’s Symphony No. 40 is one of only two that Mozart wrote in a minor key, which only adds to its singular reception in his canon of symphonies. Tchaikovsky was an admirer of Mozart’s music and paired the premiere of his Sixth Symphony, which he himself conducted, with dances from Mozart’s 'Idomeneo'. The 'Pathétique' would become his legacy as Tchaikovsky died only a few days after its premiere.