Шопен Фридерик Франсуа

Werke für Klavier & Orchester

Nocturnes Nr. 13 & 14; Balladen Nr. 1 & 3; Fantaisie op. 49; Polonaise Nr. 7; Walzer Nr. 6-8; Mazurken Nr. 30-32

Etüden Nr. 3, 4, 12, 19; Impromptu Nr. 4; Scherzo Nr. 2; Nocturnes Nr. 8, 13, 20; Polonaise Nr. 6; Walzer Nr. 7 & 10

+Mazurken Nr. 10-13; Impromptu Nr. 4 "Fantaisie-Impromptu"; Berceuse op. 57

Frederic Chopin: Preludes Nr. 1-24 +Claude Debussy: Preludes Heft 1 & 2 +György Ligeti: Etudes pour Piano Heft 1 & 2 (Ausz.) +György Kurtag: Jatekoc Heft 5 & 9 (Ausz.)

Alexander Scriabin: Klaviersonate Nr. 3 fis-moll; Nocturnes op. 5 Nr. 1 & 2; Fantasie op. 28 +Frederic Chopin: Klaviersonate Nr. 3; Fantasie op. 49; Nocturnes Nr. 7 & 8

Polonaise Nr. 3; Walzer Nr. 1, 2, 3, 6, 7, 9, 10, 12, 19; Nocturnes Nr. 1, 2, 15, 19, 20

+Polonaise Nr. 7 "Polonaise-Fantaisie"; Andante spianato & Grande Polonaise brillante op. 22; Impromptu Nr. 4 "Fantaisie-Impromptu"

Klavierkonzerte Nr. 1 & 2; Klaviersonaten Nr. 2 & 3; Scherzi Nr. 2 & 3; Barcarolle op. 60; Preludes Nr. 1-26; Mazurken Nr. 36-38; Andante spianato et Grande Polonaise brillante op. 22; Polonaisen Nr. 6 & 7; Introduction & Polonaise brillante op. 3 für Cello & Klavier

Упаковка: Digi Pack Битpeйт: 256 kbit/s Bpeмя: 360 мин.

In their very first recording together, the Orchestre symphonique de Montréal directed by Kent Nagano and pianist Charles Richard-Hamelin give us amazing versions of Frédéric Chopin’s concertos for piano and orchestra, two vibrant and poetic works that the composer wrote while in his early 20s. Charles Richard-Hamelin, Silver medalist and winner of the Krystian Zimerman award at the International Chopin Piano Competition in 2015, is impressive with his extremely refined playing and the OSM offers wonderfully fluid and emotional performances and the result rivals the best recordings that have been made of these great works.

Artist: Rafal Blechacz/Bomsori Kim Label: Deutsche Grammophon

Artist: Maurizio Pollini Label: Deutsche Grammophon

Artist: F. Chopin Label: Decca

André Navarra (1911–1988), together with Pierre Fournier and Maurice Gendron, was acknowledged as one of the “three great” French cellists who left their mark on the European concert life of their era. He was born in Biarritz, won first prizes at the age of 13 and 16, and gained early practical experience in chamber-music ensembles before celebrating his solo debut in 1931 with the Concerts Colonne. After a stupendous competition win in 1937 in Vienna he began an international career that was to last for more than three decades. In parallel, Navarra began teaching: starting in 1949 (until 1979) he was professor at the Paris Conservatoire; from 1953 he also taught at the Accademia in Siena and at the Vienna College of Music, and from 1958 to 1986 he was a member of the illustrious teaching team at the Nordwestdeutsche Musikakademie in Detmold, where his colleague on violin Tibor Varga taught. He can be heard playing with Varga on this 10-CD collection as well as on numerous studio and live recordings made at various times along the way of his remarkable career. (transl. JMBerridge)

Camilla Wicks, who was born in 1928, was one of the first female American violinists to pursue an international career. She was hailed as a child prodigy and was giving concerts by the age of seven. She gave her debut with the New York Philharmonic at the age of 13. Wicks played under the most prestigious conductors of her day, including Bruno Walter and Fritz Reiner, and she undertook several concert tours of Europe. Her recording of the Sibelius Violin Concerto is legendary, greatly admired by the composer himself. Camilla Wicks married in 1951, had five children and interrupted her career in order to bring them up. In later years she began to give concerts again and she was a popular lecturer, though she never again achieved the global success of her earlier career. She ceased teaching in 2005. Camilla Wicks possessed phenomenal technique and achieved her greatest accolades for performances of nineteenth-century repertoire. In addition, Wicks was a champion of contemporary music and she premiered numerous modern compositions. (Excerpt from the booklet)