Georg Friedrich Händel (1685-1759) - Der Messias (mit Werkeinführung / Exklusiv для CDVP) (3 CD)

1 Sinfonie: Grave fgfg
2 Accompagnato: Comfort ye, my people
3 Arie: Ev'ry valley shall be exalted
4 Chor: And the glory of the Lord
5 Accompagnato: Thus saith the Lord
6 Arie: But who may abide the day of his coming
7 Chor: And he shall purify the sons of Levi
8 Rezitativ: Behold, a virgin shall conceive
9 Arie: O thou that tellest good tidings to Zion
10 Accompagnato: For behold, darkness shall cover the earth
11 Arie: The people that walked in darkness have seen a great light
12 Chor: For unto us a child is born
13 Hirtenmusik: Pifa. Larghetto
14 Rezitativ: There were shepherds abiding in the field
15 Accompagnato: And lo, the angel lof the Lord came upon them
16 Rezitativ: And the angel said unto them
17 Accompagnato: And suddenly there was with the angel
18 Chor: Glory to God in the highest
19 Arie: Rejoice greatly, o daughter of Zion
20 Rezitativ: Then shall the eyes of the blind be open'd
21 Arie: He shall feed his flocxk
22 Chor: His yoke is easy
23 Chor: Behold the lamb of God
24 Arie: He was despised and rejected of men
25 Chor: Surely, he hath born our griefs and carried our sorrows
26 Chor: And with his stripes we are healed
27 Chor: All we like sheep
1 Accompagnato: All they that see him
2 Chor: He trusted in God
3 Accompagnato: Thy rebuke hath broken his heart
4 Arioso: Behold, and see if there be any sorrow
5 Accompagnato: He was cut off
6 Arie: But thou didst not leave his soul in hell
7 Chor: Liift up your heads
8 Rezitativ: Unto which of the angels said he at any time
9 Chor: Let all the angels of God worship him
10 Arie: Thou art gone up on high
11 Chor: The Lord gave the word
12 Arie: How beautiful are the feet
13 Chor: Their sound is gone out into all lands
14 Arie: Why do the nations so furiously rage together
15 Chor: Let us break their bonds asunder
16 Rezitativ: He that dwelleth in heaven
17 Arie: Thou shalt break them with a rod or iron
18 Chor: Hallelujah!
19 Arie: I know that my redeemer liveth
20 Chor: Since by man came death
21 Accompagnato: Behold, I tell you a mystery
22 Arie: The trumpet shall sound
23 Rezitativ: Then shall be brought to pass
24 Duett: O death, where is thy sting?
25 Chor: But thanks be to God
26 Arie: If God be for us
27 Chor: Worthy is the lamb that was slain
28 Chor: Amen
1 Kreativer Rausch und Schaffenskrise (Teil 1: Händels Kompositionsprozess)
2 Tonarten als Symbole
3 Von der Erfindung zur Partitur
4 Das Verhältnis von Wort zu Ton
5 Orchesterklang und Parodie - Diebstahl in eigener Sache
6 Die Uraufführung in Dublins Fishamble Street (Teil 2: Wohltätigkeit und gute Taten)
7 Arien und Affekte
8 Musik als Klangmalerei
9 Ein Oratorium als geistliches Musiktheater
10 Enttäuschung und Erfolge
11 Oratorien im Überfluss ( Teil 3: Text, Politik und Theologie)
12 Gottes Wort im Opernhaus
13 Sacred words ( Das Libretto als Bibelcollage)
14 Glaube und Politik
15 Äußere Form und dogmatischer Inhalt
16 Anglikanisches Erbe: Die Liturgie des "Book of Common Prayer"