Музыка и песни Various Artists / Разные исполнители на CD

North America's answer to the legendary UK C86 compilation Includes an 80+ page booklet with a comprehensive oral history of the American jangle pop scene and tons of photos and ephemera // Strum & Thrum: The American Jangle Underground 1983-1987 is the first volume of Captured Tracks' new venture into compilations - Excavations. Inspired by Pebbles, Killed By Death, Soul Jazz and Numero Group compilations, Excavations is a series dedicated to compiling forgotten music from the 1970s - 1990s that has a connection to Captured Tracks' sound and aesthetic. Much like the Cleaners from Venus, the Wake, and Saäda Bonaire reissues we've put out, Excavations releases will bridge the past to our current roster and showcase the kinds of sounds that inspire us. It makes sense that the first volume of Excavations is Strum & Thrum. As an American label, we've often wondered why British, Aussie, and Kiwi indie rock from the `80s has had the most influence on modern acts and the collector's market. Granted, the music released on Creation, Sarah, Cherry Red, Postcard, Flying Nun, et al. during that era was fantastic, but a parallel to this sound existed in the US and Canada as well. Outside of bands like R.E.M., the Rain Parade, the Dream Syndicate, and a few others, most of these bands received little attention from national or international press outlets and markets - unless they opted for a "big `80s" sound and signed to a major. The acts on this compilation are the antithesis of that, with a true DiY spirit that lead many of these bands to self-record and self-release within tiny local scenes in small cities and college towns across America. Though hardcore dominated the American underground at the time, the indie scene was no less vital and operated utilizing many of the distribution channels hardcore set up. The two genres may have sounded nothing alike, but the DiY ethos and dedication to community was the same_ But this isn't the story we're used to hearing. While noted underground archivist and compilation producer Johan Kugelberg has called the `80s the "Dark Ages" of indie rock, Strum & Thrum aims to shed light on this forgotten era of jangly, melodic rock music that emerged from the ashes of post punk and helped kick start the indie rock boom of the early `90s that continues to this day. Indeed, many artists featured on Strum & Thrum went on to be part of this boom - Archer Prewitt from the Sea & Cake, Jon Ginoli from Pansy Division, Ric Menck from Velvet Crush, Brent Rademaker from Beachwood Sparks, Barbara Manning, and more went on to be in well known bands in the `90s. This compilation is an essential listen for any fan of classic `80s indie bands like the Go-Betweens, Felt, the Church, the Bats, Shop Assistants, and the like. And if you're a fan of the early records Captured Tracks released by Beach Fossils, DIIV and Wild Nothing, you'll find a lot to love here as well. Spread across two LPs, Strum & Thrum includes an 80+ page booklet with an extensive oral history of the `80s indie scene, an introduction by Captured Tracks label head Mike Sniper, and tons of archival images and ephemera. Long live the jangle underground!

Volume 60 of the legendary Technoclub compilation series is going to be released! Believe us, it has become an incredibly awesome edition! Talla 2XLC has invited „Xijaro and Pitch“, currently the best Trance DJ & Producer Duo, as guest mixers. Furthermore the volume is a premium edition. It contains a reading sample from Talla‘s biography „Am Anfang war der Technoclub“ and, as a special gift, a glowing USB stick with Talla 2XLC logo and the new song „Destiny“ being exclusively available on this stick. Get down to almost 160 minutes of pure trance power on 2 CD‘s! What a great edition, a real special treat for all Technoclub fans!

VOL5 and 6 on one CD !! 23 Tracks !

Featuring three brilliant and acclaimed harpist friends - Fiona Hosford, Camilla Pay, Alexander Rider - of the composer with works dedicated to them, this second disc of Paul Lewis's harp solos on EM Records contains lyrical works, many of them visual in inspiration and some with dramatic scenarios attached. Lewis's stated intention is "to allow the instrument to sound as beautiful and as idiomatic as possible, with equal emphasis on mellifluousness of melody and richness of harmony." Lewis's prolific output for his favourite instrument has rapidly gained a worldwide following, and this is the latest in an ongoing series of recordings of what has been described in the United Kingdom Harp Association Magazine as "this luscious oeuvre". Recorded in the beautiful acoustic of St. Mary's Church, Westham, Sussex, whose bells inspired the final track, Westham Welcome

The remastered recordings on this album are taken from early recordings and film soundtracks. The music ranges from ballets (Holst's The Perfect Fool and Manuel de Falla's El Amor Brujo), through incidental music for a play (Delius's Hassan), to films, with music by Vaughan Williams, Walton, Alwyn, Parker, Boughton and Bliss. Ralph Vaughan Williams's great theme for the wartime film 49th Parallel has reappeared in many guises, but is still popular in its original form; Muir Mathieson, who recorded the soundtrack made this early recording in 1948. A composer himself, Mathieson conducted music for many films and commissioned film scores from others, including several on this recording. Gustav Holst's ballet The Perfect Fool was first performed in 1923, but the recording presented here is Sir Adrian Boult's first recording, from 1954. The theatre producer Basil Dean commissioned music for James Elroy Flecker's play Hassan, first performed in 1923. Excerpts from the recording made in that year include the 'Serenade', sung as a wordless tenor solo, and the evocative final chorus 'The Golden Road to Samarkand'. Manuel de Falla's ballet El Amor Brujo was written in 1914 and was an important feature of the 1958 film 'Honeymoon'. This recording, with Beecham conducting, was taken from the soundtrack. Beecham did not make a commercial recording of the work, so this recording is especially valuable. Rutland Boughton's Lorna's Song from the film Lorna Doone brings back to circulation a delightful recording not heard since the days of 78s, and sung by the star of the film, Victoria Hopper, who is featured on the cover image. A short film about the album can be found here: https://youtu.be/1WQcETwqRNM "This disc is as enjoyable as it is enterprising. The programme has been very well chosen and includes some worthwhile rarities plus the very significant Beecham 'bonus'. The transfers have been made by Pete Reynolds and I think he's done an excellent job. The performances come through clearly and without distortion. As usual with this label, the album is comprehensively documented." - MusicWeb International

Strictly The Best is the annual compilation of emerging hits and breaking artists on the contemporary reggae scene. The new volume is all in all 24 of the hottest current and upcoming hits, presenting on CD1 the singers and on CD2 the deejays - from Alborosie to Alkaline, from Bella Blair to Busy Signal. Fans of roots reggae, lovers rock and dancehall alike flock to the Strictly The Best brand with confidence. Established July 1991, Strictly The Best is the longest-running compilation series in reggae. Vol.61 features original illustrated artwork by Constantinos Pissourious @versincos14

The World Premiere Recording of John Tavener’s ‘Palintropos’ for piano and orchestra, performed by the Japanese pianist Aruhi with the New London Orchestra and conducted by Ronald Corp. The work is coupled with Michael Stewart’s ‘Beyond Time and Space (In Memoriam John Tavener). “... the only piece of mine that ever came near to being a Debussyan tone poem.” - John Tavener on Palintropos for piano and orchestra. With the exception of The Whale and Celtic Requiem, the earlier music of John Tavener has been somewhat eclipsed by the mid to late works such as The Protecting Veil, The Ikon of Light and The Veil of the Temple. Here is an opportunity to discover discover one of Tavener’s early masterpieces. Dating from 1978 it was composed and was flanked by his chamber opera A Gentle Spirit (1977) and Akhmatova Requiem (1978). Palintropos is one of Tavener’s most dynamically works in his output and alternates between columns of sound of exhilarating, ferocious pianism and lyrical arabesque-like passages of sheer beauty. In this World Premiere Recording of John Tavener’s ‘Palintropos’ the pianist is the brilliantly talented Japanese pianist Aruhi (making her debut commercial recording) and she is accompanied by the New London Orchestra conducted by Ronald Corp. Also on the album is Michael Stewart’s ‘Beyond Time and Space (In Memoriam John Tavener). A three movement work composed for Aruhi exploring the nature of ‘consciousness’ and the idea of consciousness as informa on that exists beyond me and space that ul mately permeates the en-re universe. Aruhi is a classically trained pianist and composer who has given recitals in Japan and Europe, both as soloist and accompanist, working with, among others, the oboist Katsuya Watanabe, the violinists Ami Ito and Michiko Kobayashi.

Craig Charles has been a soul and funk fan since his teenage years in Liverpool, going to see local heroes The Real Thing live, and wearing out his shoe leather dancing in the city’s many underground clubs. Craig has been sharing that passion for the music via his 6Music and BBC Radio 2 shows and DJ nights for nearly 20 years. His brand new Trunk Of Funk compilation series, blends up-tempo club classics, with fresh music from the cream of the crop from the contemporary soul and funk scene. This collection of 21st century disco, soul, funk and afro grooves from includes tracks from contemporary heroes of the scene such as Monophonics, Amp Fiddler and The James Taylor Quartet, it’s also peppered with some old school classics and rare grooves from legends such as Roy Ayers, PP Arnold, Miriam Makeba and Patrice Rushen. Craig has personally selected and sequenced this collection to take the listener of a musical journey, the closest thing to having Craig visit and personally DJ for you in the comfort of your own home! It also includes two Trunk Of Funk Edits that are 100% exclusive to this compilation and not available anywhere else

TOO SLOW TO DISCO PRES. 16 previously unreleased and exclusive tracks (Poolside, Roosevelt, Kraak & Smaak, Yuksek and more) only to this beautifully-crafted compilation" Now, it's time to bring the party back to nightclubs, hotel bars and living rooms everywhere...Have you ever felt so wistful for the dance floor? Have you ever been so in need of getting your personal shimmy on? Not to worry – Team Too Slow to Disco has your back. We present: The Sunset Manifesto. Sixteen ways to party wherever you are right now. Sixteen ways to add effortless chic to your: lockdown kitchen disco / home-office yoga studio / commute to the living room. Our intention? To bring you a globe-trotting playlist of some of the most sophisticated, adult-orientated and dance-inducing pop music from today’s finest exponents of that Too Slow to Disco sound. And like a good detective about to crack a big case, DJ Supermarkt has been tailing these acts for quite a while now. It’s an eclectic gang, from Westcoast USA to Norway via a hundred (14) places in between – but with a shared golden thread. That warm sonic palette that escaped from Laurel Canyon folkies and LA session gods is there, remade by a contemporary electronic sensibility. As acts they’re all touched by that lazy, daytime disco or Balearic style. CD Digipak, Poster Booklet w/ liner notes

Chen Reiss, who is at the heart of Mozart’s Ch’io mi scordi di te? as well as Beethoven’s terzetto, is a rising star of the opera world, receiving widespread acclaim for her sumptuous sound. Mozart wrote this concert aria for himself and the soprano Nancy Storace, who had played Susanna in his opera, The Marriage of Figaro. For this recording, Chen Reiss is paired with pianist Javier Negrín, who has enjoyed considerable acclaim for his solo Odradek releases. Javier Negrín brings these special qualities to this interpretation of Beethoven’s piano transcription of the Violin Concerto, a version he describes in the album booklet as “totally idiomatic”, adding: “To me, this music speaks about reconciliation and acceptance; it has a very serene beauty and purity of sentiment.” This recording features tenor Jan Petryka and baritone Paul Armin Edelmann alongside Chen Reiss and the Beethoven Philharmonie, an Austrian ensemble created for and specialising in performances of this repertoire.

This is the first in a series of four albums recording all 80 of the folk songs in English that Ralph Vaughan Williams arranged for voice and piano or violin. 57 of the 80 songs have not previously been recorded in these arrangements, so there is a good deal of unknown - but very beautiful - music to be found here. This first album has 23 tracks including 15 world premières. It includes Folk Songs from Sussex (1912) and Six English Folk Songs (1935). Later volumes will include songs collected in the Eastern Counties (1908), the Appalachian Mountains (about 1938) and from Newfoundland (1946). Vaughan Williams is well known as a collector of folk songs, but his own collection by no means predominates in this series; most of the arrangements were made and published as a collaborative effort, drawn from many sources. The 14 songs from Sussex on this album were all collected by Percy Merrick from Henry Hills, a farmer from Lodsworth, Sussex, around 1900. Some will be well-known in other arrangements; others will be unfamiliar. Praised by Opera for her "dramatic wit and vocal control", British soprano Mary Bevan is internationally renowned in baroque, classical and contemporary repertoire, and appears regularly with leading conductors, orchestras and ensembles around the world. Opera singer Nicky Spence is one of Scotland's proudest sons and his unique skills as a singing actor and the rare honesty of his musicianship are steadfastly earning him a place at the top of the classical music profession. Roderick Williams is one of this country's most sought after baritones and is constantly in demand, encompassing a repertoire from the baroque to world premières. In 2016 he won the Royal Philharmonic Society's Singer of the Year award. In 2010, British violinist Jack Liebeck won a Classical Brit in the young British classical performer category. A multiple-prize winning and critically acclaimed conductor and accompanist, William Vann is equally at home on the podium or at the piano and is the founder and Artistic Director of the London English Song Festival.

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JUDAS AND THE BLACK MESSIAH: THE INSPIRED ALBUM Альбом-саундтрек включает музыку NIPSEY HUSSLE, JAY-Z, HIT-BOY, H.E.R., NAS, G HERBO, A$AP ROCKY, LIL DURK, BLACK THOUGHT, POLO G, DOM KENNEDY, WHITE DAVE, RAKIM и других.

Artist: Chicago Piano Label: Document

von Rossini, Bellini, Verdi, Ponchielli, Mascagni

|Самый полный обзор произведений Стравинского из когда-либо составленных - Новое расширенное издание полного издания Deutsche Grammophon от 2015 года. Это новое издание отмечает 50-летие со дня смерти композитора (6 апреля). Состоит из сценических произведений (балеты, оперы, оратории), оркестровые, хоровые, сольные, камерные, фортепианные, исторические записи. В исполнении ряда великих переводчиков Стравинского, включая Аббадо, Аргерих, Ашкенази, Баренбойм, Бернштейн, Бостридж, Булез, Шайи, Крафт, Гардинер, Кнуссен, Лабек, Лангридж, Левин, Майски, Мустонен, Муттер, Нагано, Плетнев, Поллини, Захер, Шелтон, Терфель. Плюс .... Сам Стравинский, дирижирующий записью своего Скрипичного концерта 1935 года. Новый материал, дополняющий это издание: Бостонский симфонический оркестр, Фестивальный хор Тэнглвуда, Сэйдзи Одзава: Бах: Vom Himmel hoch da komm ich her BWV 769, Orchestrated Stravinsky. Лос-Анджелесский филармонический оркестр, Игорь Стравинский - Смит: Усеянное звездами знамя в аранжировке и под управлением Стравинского. Произведение Chant funebre, рукопись, утерянная более века назад, была обнаружена после того, как было выпущено последнее полное издание. Эта запись Люцернского фестивального оркестра под управлением Риккардо Шайи получила признание критиков. Буклет на 150 страниц (на английском, французском, немецком) с предисловием Роджера Райта (бывшего руководителя отдела продаж Deutsche Grammophon) и эссе ведущих авторов Стравинского Ричарда Тарускина и Стивена Уолша с хронологией (Стивен Уолш) и яркими историческими фотографиями. Цветовое оформление работ. Синопсы опер и балетов доступны для скачивания.

HAPPY KIDS XMAS - это 25 праздничных классических блюд, пропитанных невероятно милым японским вкусом. Этот трогательный сборник каваи-рождественских хитов включает в себя записи японского детского хора NHK Tokyo