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Record Label: Demon / Edsel Style: Pop

Whether for the fan or the novice of this Finnish trio extraordinaire: Here's the ultimate set of 22-Pistepirkko, compiled due to (re-)explore their unique character and follow them through their juggle with Garage R'n'R, Pop, Rock, Electronica, Blues, Psychedelic, Folk and the unexplored, spanning from 1986 to 2012, (incl. unreleased single Storm Radio"). This Box combines all the audience favourites, whether Frankenstein, Birdy, Onion Soup, Quicksand, Rat King and more, with the more obscure, exciting B-sides and a good dose of never released live performances throughout the years. Additionally find on an extra DVD all their promotional videos, as welI as rare live footage. The Box comes in handy square comes with a 52 pages booklet. Besides infos on those singles - and instead of some common liner notes praise and lengthy journalistic explanations - it has a little diary by one of their fans. The packaging is square flap box in CD size, 52 page booklet, 6 cardboard sleeves. > 20 Singles / 51 songs / 3 CDs > 31 Live Recordings / 2 CDs > 35 Videos / 1 DVD > 52 pages Booklet > DVD Total playing time 01:57:48 > PAL Record Label: Bone Voyage Style: Independent

Composer(s)	Aether, • Anonymous • Cappadocia, Rufus • Custer, Beth • Drakulich, Sonja • Gordon, Geoffrey • Hegedus, Gari • Imhoff, Barbara • Jaques, Peter • Kaspar, Nancy • Kent, Stephen • Maxym, Eda • Newby, Kenneth • Roberson, Tobias
Artist(s)	Baroness, The, , electronics • Hardkiss, Gavin, electronics • Hughes, Howard, electronics • Carnes, Kevin, electronics • Hardkiss, Scott, electronics • Stone, Tyler, electronics • Hampton, Wade Randolph, electronics • Danio and Joshio, Ensemble • 9000 Drummers, Ensemble
Period(s)	20th Century • Contemporary
Genre	Pop and Rock
Category	Pop and Rock
Label	Call It Anything

Composer(s)	Davies, Andy • Duffy, Brian • Fish, Pat • Roberts, Spencer • Shaw, Robert • Trettine, Caroline
Artist(s)	Hawan, Bernie, backing vocals • Beddow, Lee, backing vocals • Beddow, Lee, bass guitar • Winnebago Orchestra, Ensemble • Ralls, Liz, flugelhorn • Bowman, Bob, guitar • Beddow, Lee, keyboards • Bowman, Bob, lap steel guitar • Roberts, Alison, shaker • Ralls, Liz, trumpet
Period(s)	Contemporary
Genre	Pop and Rock
Category	Pop and Rock
Label	Intuition
	Booklet / liner notes available

Composer(s)	Forster, Robert • Forster, Robert • McLennan, Grant
Artist(s)	Thompson, Glenn, acoustic guitar • Pickvance, Adele, backing vocals • Thompson, Glenn, backing vocals • Riley, Audrey, cello • Pickvance, Adele, double bass • Thompson, Glenn, drums • Pickvance, Adele, electric bass • Thompson, Glenn, guitar • Forster, Robert, guitar • Forster, Robert, harmonica • Pickvance, Adele, mandolin • Beaghen, Seamus, organ • Beaghen, Seamus, piano • Tombling, Chris, violin • Morley, Gill, violin • Wilson, Greg Warren, violin • Dench, Sue, violin • Forster, Robert, vocals
Genre	Pop and Rock
Category	Pop and Rock
Label	Intuition
	Booklet / liner notes available

Composer(s)	Fay, Benoit • Fay, Remi • Goublet, Alexis • Marchadour, Yann • Viennot, Steven • Viennot, Steven
Artist(s)	Matier, Ensemble
Genre	Pop and Rock
Category	Pop and Rock
Label	ADGM

Composer(s)	Roberts, Spencer • Trettine, Caroline
Artist(s)	Winnebago Orchestra, Ensemble • Trettine, Caroline, vocals
Genre	Pop and Rock
Category	Pop and Rock
Label	Intuition
	Booklet / liner notes available

Composer(s)	Clarke, William Joseph • Cotton, James • Cryor, Jesse • Dixon, Willie • Harman, James • Harpo, Slim • Korpi, Mark • Liljendahl, Kent • Olsson, Kenth • Primich, Gary • Spann, Otis • Stenmark, Per • Store, Kjell • Williamson, Sonny Boy
Artist(s)	Lazy Roosters, Ensemble • Rydh, Magnus, piano
Genre	Pop and Rock
Category	Pop and Rock
Label	Blaze
	Booklet / liner notes available

Composer(s)	Hedlund, Tobias • Monk, William Henry • Olofsson, Viktor • Wall, Maria
Artist(s)	Tobias Hedlund Ensemble, Ensemble
Period(s)	Romantic
Genre	Pop and Rock
Category	Pop and Rock
Label	Ezra Infotainment
	Booklet / liner notes available

Ltd. Boxset Inkl. 2Cd, Pic-Lp, T-Shirt XL and more Record Label: Beton Kopf Media Style: Rock

Record Label: Beton Kopf Media Style: Rock

Strictly limited CD Box plus Digipak plus 3 Bonus-Livevideos plus sweatband Record Label: Better Than Hell Style: Rock / Metal

Celebrating Light In The Attic's 10 year anniversary in 2012, we are releasing a series of very special colored vinyl 7s and digital downloads. The series features contemporary artists covering a track reissued by Light In The Attic on the A-side, plus th Record Label: Lightintheattic Style: Rock

Record Label: Cleopatra Style: Rock

2LP/2CD/DVD package with 180 gram vinyl pressed at RTI, custom tip-on gatefold jacket, and 12 page book. LP version limited to 3,000 copies Extensive booklet with photos from the band's archive and new liner notes by Marc Hawthorne Six bonus tracks from the era, including live show favorite "Take Me To The Hospital" and a cover of early Bright Eyes track "Falling out of Love at this Volume". DVD with archival footage from the band, live projection videos from the era's tour dates, the "Agenda Suicide" video directed by MK12, and more. Do you remember a time before the words "dance" and "rock" were linked by a hyphen and the synthesized sounds of the '80s were a regular part of the modern musical landscape? The members of The Faint do, because they were there when it started to happen. In fact, you could even say they're one of the main reasons it happened at all. Saddle Creek is set to reissue one of the crown jewels of the movement, an album that over time has proven to be as influential as it is exhilarating: The Faint's third album, 2001's Danse Macabre. It all seems like a natural progression now, but the release of Danse Macabre's predecessor, 1999's Blank-Wave Arcade, was a sea change for the Omaha group, showcasing a fondness for dance beats and dark keyboards while completely moving away from the indie-rock songs found on its debut, 1998's Media. Seeking a unique sound was becoming a regular occurrence in Omaha at the time, which led to a slew of phenomenal local releases, including Bright Eyes' I'm Wide Awake, It's Morning and Cursive's The Ugly Organ. The nine-song Danse sizzled with perfectly aggressive synth lines, Todd Fink's menacingly effected vocals, infectious beats, bits of industrial and goth, and, at the heart of it all, strong songwriting featuring the kind of minor-key melodies that make singing along inevitable. To top it off, upstart engineer and producer Mike Mogis perfectly captured The Faint's sound and attitude despite never previously working on an electronic record Record Label: Saddle Creek Style: Rock

By fine-tuning a mix of sweet pop rock and determined guitar chops on their second album, Busting Visions, Zeus has become more focused and, in turn, more enjoyable; this is the one that’ll bring the band’s sound into its own. You can’t call their brand of rock heavy and hard so much as energetic and ear-grabbing. Brewing cavalier pop with hushed funk, Zeus at times emulates both French pop-rock masterminds Phoenix and the less alt-country iterations of Blitzen Trapper with their fun class of jumpy rock. The Toronto foursome’s slight classic rock tendencies, previously courted on their debut, Say Us, to adequate results, become strengths here. On “Hello Tender Love” – one of the jewels of the album, channeling the now-defunct NY funk band Julius C – the band pumps a powerful, soul-dripping chorus through an excellent transition into the McCartney-like playhouse affair of “Messenger’s Way”. This isn’t nearly the only clever moment on the record, but it sure sticks with you the most. Recalling songs like the laid-back “The Renegade” from 2010, the pleading “Let It Go, Don’t Let It Go” echoes the bittersweet melancholy of Steely Dan’s saddest lyrical moments, and “Proud and Beautiful” is another brief softie with a tender swagger. The band’s earnest attitude makes for eclectic instrumentation that never offends but only knocks you off your feet if you’re truly paying attention. Overall, elements like harlequin piano chords, guitars imitating kazoos, and click-clack percussion could have been embroidered to greater detail. The more outward moments on Busting Visions, such as opener “Are You Gonna Waste My Time?” and “With Eyes Closed”, recall groovy, romantic joy from decades ago, and on “Cool Blue (And the Things You Do)”, Rob Drake, Mike O’Brien, Neil Quinn, and Carlin Nicholson play as a more theatrical, spaced-out Spoon, with lingering jazz harmonies, vocal grit, and resounding bell chimes. Keeping up with this boldness and experimentation could yield future material worthy of Mount Olympus. Record Label: So Recordings Style: Rock

3XLP DELUXE BOX SET INCLUDES 180 GRAM VINYL, LIMITED EDITION COLOR LETTERPRESS HATCH PRINT POSTER & 12 PAGE BOOKLET. Widespread Panic's Wood combines fan favorites and first time played songs from the band's 11-date, four-city dubbed "2012 Wood Tour" which was Panic's first-ever fully acoustic tour. The Sold out tour began on January 24 with two nights at The Fillmore in Silver Spring, MD, followed by three nights at The Tabernacle in Atlanta, GA, January 27-29, then to CO for three nights at The Fillmore -Denver, February 10-12 and wrapped up with three shows at the intimate Belly Up-Aspen in Aspen, CO, February 17-19 Record Label: Widespread Rec. Style: Rock

Record Label: Topshelf Records Style: Rock

The Record store day release now available for all. From original Peter Green's Fleetwood Mac member and Rock & Roll Hall of Fame inductee - Jeremy Spencer. Packing a "vintage vibe" immediately apparent in Jeremy's painterly stroke, "Bend In The Road" fuses his artistry as consummate slide guitarist, singer, songwriter, interpreter, illustrator - man of the world. His evocative watercolor graces the gatefold cover recalling enduring albums when records were the sum of their parts and made with consequence. Within is a correspondingly crafted collection of songs coming from the deepest core of his heart. It's an intimate journey, but one that will connect deeply and repeatedly with listeners. He sounds as authentically fiery and tasty as he ever did, but displaying a far wider guitar palette, insight and conviction that have continued to evolve since his long absence from the public eye. In Fleetwood Mac, Jeremy shared the spotlight with reticent star-super nova, Peter Green, embodying Elmore James riffs and vocals obsessively and uncannily. He possessed an equal fervor and absolute command of quintessential rock n' roll personifying personal hero Buddy Holly and his ilk spot on. "Bend In The Road" is an upshot of being asked to consider working with compatible younger musicians to produce modern material. And yes, he had considered it. From the seed of idea came such an encounter with beyond-his-years accomplished guitarist and blues aficionado, Brett Lucas, who coincidentally fronted a Fleetwood Mac cover band, "Rattlesnake Shake". In Brett, Jeremy found a schooled simpatico player analogous in both musical understanding and gentlemanly humility - virtues not readily in vogue that resonated profoundly. The Detroit quintet sessions provided a perfect storm association, wildly prolific generating 32 tracks! Jeremy's Elmore ("Cry For Me Baby", "Stranger Blues", "The Sun Is Shining"), Buddy and compatriots' influences ("Earthquake", "I Walked a Mile in Sorrow") impeccable blues and rock rendering remain intact and vibrant, but so is a collaborative nature selflessly trading guitar licks and support with Lucas (playfully on "Jambo", epically on "Aphrodite") in the way Green and Kirwan shared on the torching "Like It This Way" and iconic "Albatross". With "Homesick", J.S. gets to fulfill a 45-year old desire to record the author's signature song that opens the album. On the album's elegant "Merciful Sea", Producer Brett manages to persuade Jeremy to reveal his hereto unsung, intimate affecting piano playing for all to marvel. Throughout one can hear an expansive range of influences from Django to Knopfler and Jeremy plays them effortlessly and seamlessly incorporating and making them his own as naturally an easy fit as that of his beloved ceramic slides. This record is a career culmination of technique meets soul invoking a transcendent "Layla-esque" quality with its escalating emotive sequencing ("Refugees" into title cut, "Bend") of spiritually driven and invested songs ("Blind Lover", Come To Me", "Desired Haven") that recalls LPs of yore (yes, proof they can still be made), without sounding dated, intoxicatingly assured and relaxed, out of the blue resonant, a lifetime in the making - guaranteed to grow from affection to cherish with subsequent plays. Record Label: Propelz Style: Rock

Multi-instrumentalist and sci-fi prog-rock explorer A.E. Paterra returns with his second proper fulllength as Majeure. Following closely on the heels of his beloved but scarcely limited split album with fellow Zombi cohort Steve Moore, Solar Maximum expands on the cinematic, atmospheric vision alluded by his 2010 debut album, Timespan. Once again composing, performing, and producing the entire album, Paterra broadens the Majeure cosmos with an increased focus on moody synths and an almost inhuman level of patience in the payoff. Drawing influence from 70s celestial film scores, ambient krautrock, and dexterous vintage prog-rock, Solar Maximum trades in the cosmic disco of Timespan for a more spacious and ominous feel that lives up to its ambiguously ambitious title. Style: Prog Rock