Фирма MIG

Совершенно новый альбом легендарной инструментальной поп-звезды Андреаса Волленвейдера

В отличие от 1990-го - концерта, где все было по-прежнему интимно и очень близко - теперь группа смогла создать великий рок-театр, контроль был доведен до предела, и было достаточно места для раскрытия талантов каждого музыканта.

Бокс-сет Deluxe Edition! Содержимое: обычный продукт (4CD + 2DVD) - двояковыпуклая карта - пронумерована - тираж 3000 копий по всему миру. Два концерта, запечатленные на этом замечательном наборе CD и DVD

Редкая концертная запись John Renbourn Group с двумя важными участниками британской легенды фолк-рока Pentangle, гитаристом Джоном Ренборном и певицей Джеки МакШи. Записи 1978 года с отличным качеством звука, мастерингом стал Майк Уокер.

On March 23, 2015, the power trio Radio Moscow performed as part of the Crossroads Festival in the Bonner Harmonie on Rockpalast. Parker Giggs spreads casual licks and wafting vibes into the sloping fan auditorium, his vocals are at their peak, Marrone an

The Outlaws above the rocks of the Lorelei in Germany! In the summer of 1981, for the first time in Germany, what a statement about Southern Rock! 60 minutes full of unbridled joy of playing, bursting with power and endurance. The Eagle Has Landed,

«Дважды британский блюз-рок институт NINE BELOW ZERO был гостем в Rockpalast в Германии. 19 августа 1981 года группа выступила на« Test Concert »в рамках« 1st Rockpalast Open-Air Festival »на знаменитом Loreley. рок в Санкт-Гоарсхаузене, Германия. Помимо NBZ, на сцене также выступали такие группы, как The Outlaws, 38 Special и Thin Lizzy. Четверо блюз-рокеров из Южного Лондона открывали фестиваль днем, а вечером они уже улетали в самолет. в Англию, чтобы на следующий день сыграть на фестивале Рединг. Спустя 15 лет, 23 июня 1996 года, NBZ вернулась на скалу Лорелей. Состав на тот вечер включал южных рокеров Molly Hatchet и Lynyrd Skynyrd, The Band и Muddy Waters Tribute Blues Band. Накануне Дэвид Боуи, Игги Поп, Placebo и Pulp уже потрясли сцену, место, изобилующее историей, традициями, легендами и мифами.

It was the year 1975 when Steve Hillage decided to turn his back on the sometimes slightly quirky but very successful psychedelic spacerock formation Gong, to say goodbye to his teacher Daevid Allen (who also left the band) and to take care of his ow

They still exist, these small, fine albums that somehow slip under the radar of perception. Life Is Almost Wonderful by Kevin Coyne and Brendan Croker is one of them. This wondrous, quirky guy, song poet, acoustic punk rocker, writer and painter Co

On 12th July 2019 Russell Smith, leadsinger and guitarist of the American country rock band The Amazing Rhythm Aces sadly passed away. After that, Billy Earheart, head of ARA along with Russel Smith, announced the definite end of the band. The countr

The two concerts captured on this remarkable CD and DVD set are superb evocations of a band before and after major change. Duesseldorf sees the most successful, major label Runrig lineup coming to the end of its run, with Donnie Munro making one of his last stands as lead vocalist and frontman, before leaving the band, ambitious to begin a political career as a Member of the UK Parliament. He stood as a Labour Party candidate for his native constituency of Ross, Skye and Inverness West but was defeated two occasions. By the time of the Cologne concert, Bruce Guthro had settled into his role as the new frontman of Runrig, made it his own and been warmly accepted by fans. 1997 saw both the ending of the 'old' Runrig and their departure from London-based label Chrysalis. But it also saw the 1997 referendum a devolved parliament for Scotland and a vote for that assembly to be established in Edinburgh. New beginnings were everywhere, and Scotland was ready to embrace Bruce, and the 'new' Runrig he fronted. It did. And so did the rest of Europe. Germany in particular had always welcomed Runrig's brand of powerhouse Celtic rock with open arms, and the winter tour in 2001, supporting the "Stamping Ground" album which saw Bruce fully integrated into the band, was a triumph. So, in a different way, was that 1996 outing, also in the depths of winter. The power and sweetness of Donnie's vocals, and the sense of bearing witness to -stage relationships forged decades previously in the dancehalls and marquees of the Highlands and Islands, is overwhelming and beguiling. Bringing the two concerts together in one package offers an irresistible opportunity to contrast and compare. Runrig ended their career in style at the "Last Dance" concerts beneath the battlements of Stirling Castle in 2018. After 45 years, it was all over, at least in terms of live performance. The band have made a massive contribution to Scottish and European culture, and the way have provided concertgoers with many joyous, moving experiences, two of which are captured here. Duesseldorf in 1996 and Cologne in 2001 saw two Runrigs, both performing brilliantly, and it is both instructive and moving watch these two bands which, are in the end, one. (Tom Morton) One Legend Two Concerts = RUNRIG!

Vollenweider sits on the very top of the New Age music form. If I characterize it I'll devalue it. Although it's not a symphony per se, and not an Indian raga, it is powerful, rich, nuanced, and deserving of a proper place that I can't yet define

La Vie Electronique 04 on vinyl!

Laibach is art, but more than just art. Founded on 1st June 1980 in the then heavy industrial Yugoslavian town of Trbovlje (today a city in central Slovenia), the band took their name after the German designation of the Slovenian capital Ljubljana which was undesirable in Yugoslavia during the Tito’s and post-Tito era. In 1982 the group played its first concerts in Ljubljana, Zagreb and Belgrade on their "Tour of the Three Capitals". On 23rd June 1983, Laibach appeared for the first time on Slovenian television in the political program TV Tednik. The band's provocative performance led to a ban on the name and a ban on performing in Yugoslavia until 1987: "The politicial ruling powers couldn't bear the image they saw in the mirrors we held up to them," a member of Laibach once said. In 1985 the Škuc - R.o.p.o.t (Noise) label released the first official Laibach album, but, due to the ban on naming, without mentioning the band name on the cover and with censorship bleeps on some samples of Tito’s speeches. In the same year, the German alternative label Walter Ulbricht Schallfolien released the album "Rekapitulacija 1980-1984" and the English label Cherry Red Records released the single "Die Liebe ist die größte Kraft, die alles schafft". Walter Ulbricht Schallfolien, who also had with Throbbing Gristle the most important repre- sentatives of Industrial under contract, then brought Laibach into German clubs and concert halls for the first proper German tour in 1985. The tour happened under the title "Die erste Bomardierung! Laibach über dem Deutschland” (“The first bom(b)ing - Laibach over the Germany"). In 1986 Laibach released the album "The Occupied Europe Tour 1985" on the US label Side Effects, the oldest label for industrial music in America. In addition, the album "Nova Akropola" was released in February 1986 on Cherry Red Records. Same year the band was a guest of John Peel, but the recordings from the "John Peel Session" were not released until 16 years later. In 1987 Laibach signed a long-term contract with Daniel Miller's renowned London Mute Label and had finally found their musical home. The artists roster of Mute included such well-known artists as Depeche Mode, Nick Cave, Erasure, Yazoo, Moby and also Kraftwerk. From now on the commercial success story of Laibach could also be written. Mute released "Opus Dei". The album includes, inter alia, a specific “Laibach” - interpretation of "Live Is Life", the big single hit of the Austrian group Opus (one as a German version under the name "Leben heißt Leben" as well as an English version under the title "Opus Dei") and also the interpretation of the Queen track "One Vision" (in German under "Geburt einer Nation"). The sound of Laibach had become more commercial, the avant-garde and industrial parts gave way in favour to Laibach’s "militant classicism", the band had found its style. Laibach went on tour, now playing in larger halls and clubs in Germany. On 12th October 1987 Laibach made a stop at the Bremen Schlachthof. Here the live album "Bremermarsch" was recorded, which is now released 33 years later. In spring 2020 Laibach edited the "old" original recordings and digitally mastered them in their studio. The recordings sound fresh and unspent, the sound is great, the mood in the audience as well. And that Laibach is performing the "hits" such as "Die Liebe", "Life is Life" and "Geburt einer Nation” (Birth of a Nation) can almost be taken for granted

Laibach is art, but more than just art. Founded on 1st June 1980 in the then heavy industrial Yugoslavian town of Trbovlje (today a city in central Slovenia), the band took their name after the German designation of the Slovenian capital Ljubljana which was undesirable in Yugoslavia during the Tito’s and post-Tito era. In 1982 the group played its first concerts in Ljubljana, Zagreb and Belgrade on their "Tour of the Three Capitals". On 23rd June 1983, Laibach appeared for the first time on Slovenian television in the political program TV Tednik. The band's provocative performance led to a ban on the name and a ban on performing in Yugoslavia until 1987: "The politicial ruling powers couldn't bear the image they saw in the mirrors we held up to them," a member of Laibach once said. In 1985 the Škuc - R.o.p.o.t (Noise) label released the first official Laibach album, but, due to the ban on naming, without mentioning the band name on the cover and with censorship bleeps on some samples of Tito’s speeches. In the same year, the German alternative label Walter Ulbricht Schallfolien released the album "Rekapitulacija 1980-1984" and the English label Cherry Red Records released the single "Die Liebe ist die größte Kraft, die alles schafft". Walter Ulbricht Schallfolien, who also had with Throbbing Gristle the most important repre- sentatives of Industrial under contract, then brought Laibach into German clubs and concert halls for the first proper German tour in 1985. The tour happened under the title "Die erste Bomardierung! Laibach über dem Deutschland” (“The first bom(b)ing - Laibach over the Germany"). In 1986 Laibach released the album "The Occupied Europe Tour 1985" on the US label Side Effects, the oldest label for industrial music in America. In addition, the album "Nova Akropola" was released in February 1986 on Cherry Red Records. Same year the band was a guest of John Peel, but the recordings from the "John Peel Session" were not released until 16 years later. In 1987 Laibach signed a long-term contract with Daniel Miller's renowned London Mute Label and had finally found their musical home. The artists roster of Mute included such well-known artists as Depeche Mode, Nick Cave, Erasure, Yazoo, Moby and also Kraftwerk. From now on the commercial success story of Laibach could also be written. Mute released "Opus Dei". The album includes, inter alia, a specific “Laibach” - interpretation of "Live Is Life", the big single hit of the Austrian group Opus (one as a German version under the name "Leben heißt Leben" as well as an English version under the title "Opus Dei") and also the interpretation of the Queen track "One Vision" (in German under "Geburt einer Nation"). The sound of Laibach had become more commercial, the avant-garde and industrial parts gave way in favour to Laibach’s "militant classicism", the band had found its style. Laibach went on tour, now playing in larger halls and clubs in Germany. On 12th October 1987 Laibach made a stop at the Bremen Schlachthof. Here the live album "Bremermarsch" was recorded, which is now released 33 years later. In spring 2020 Laibach edited the "old" original recordings and digitally mastered them in their studio. The recordings sound fresh and unspent, the sound is great, the mood in the audience as well. And that Laibach is performing the "hits" such as "Die Liebe", "Life is Life" and "Geburt einer Nation” (Birth of a Nation) can almost be taken for granted

Rock

2 × CD, Compilation