2 миллиона музыкальных записей на Виниле, CD и DVD

Tom Waits - Mule Variations (180g) (remastered)

Артикул: CDVP 3376127

EAN: 8714092654738

Состав: 2 LPs

Состояние: Новое. Заводская упаковка.

Дата релиза: 15-12-2017

Лейбл: Anti-Corp

Исполнители: TOM WAITS / TOM WAITS

Композиторы: Waits, Tom / Waits, Tom

Жанры: Abstract  Alternative Rock  Art Rock  Blues  Folk, World, & Country  Rock 

Есть в наличии
7800 руб.
6699 руб.
-14%
+68476
Remastered Double 180 Gram Vinyl with Download. Seven years passed between the release of Bone Machine and Mule Variations. During that time Tom Waits eschewed cutting another conventional (the term used loosely here) song collection, occupying his time with acting projects, a soundtrack (Night on Earth), a stage project (The Black Rider), and sundry smaller diversions. What's surprising about Mule Variations is how little he's strayed from the old bone yard through the years. As with his grammy-winning 1992 outing, Waits intersperses the tough and the tender, mixing exercises in creative noisemaking with tunes that fall on just the right side of maudlin. As with Bone Machine's The Ocean Doesn't Want Me, What's He Building? is an experiment in word jazz that owes a debt to its creator, Ken Nordine. Waits has again assembled a crew of attuned sidemen (including Primus and steadfast backers Ralph Carney, Larry Taylor, and Joe Gore). And, as always, Waits and his wife - co-songwriter co-producer Kathleen Brennan exhibit an uncanny ear for the arcane. 2 × Vinyl, LP, Album, Remastered

Треклист

1 Big In Japan 4:05
2 Lowside Of The Road 2:59
3 Hold On 5:33
4 Get Behind The Mule 6:52
5 House Where Nobody Lives 4:14
6 Cold Water 5:23
7 Pony 4:32
8 What's He Building? 3:20
9 Black Market Baby 5:02
10 Eyeball Kid 4:25
11 Picture In A Frame 3:39
12 Chocolate Jesus 3:55
13 Georgia Lee 4:24
14 Filipino Box Spring Hog 3:09
15 Take It With Me 4:24
16 Come On Up To The House 4:36

В создании релиза участвовали

Kathleen Brennan Producer
Tom Waits Producer

Фрагменты

1) Фрагменты не являются трек-листом и носят ознакомительный характер

2) Качество представленных фрагментов уступает оригиналу

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