Rock

180Gr./Debut Album/500 Numbered Copies On Gold Vinyl

THY CATAFALQUE deliver another spectacular musical mosaic with ninth full-length album ‘Naiv, inspired by the Naïve Art movement. The project's sole mastermind, Tamás Kátai has once again assembled pieces out of such diverse genres as ambient, fol

Ltd. Gatefold CLEAR YELLOW Vinyl. For Fans Of: AC/DC, Guns n’ Roses, Motörhead, Airbourne, Rose Tattoo, Monster Magnet, Danko Jones The name says it all: High Voltage Rock 'n' Roll. Thundermother don't just play rock 'n' roll, Thundermother are rock 'n' roll! On 31st july Thundermother will play again at the Wacken Open Air. On this day their new album HEAT WAVE will be released. HEAT WAVE is the musical expression of the striking life style of the musicians: a sophisticated version of an AC / DC Motörhead sound with fresh modern rock elements and a rich 70s groove. Throughout March 2020, the Swedes are showing their enormous live potential on tour with the legendary Australian band Rose Tattoo. 40 years of rock 'n' roll outlaws meet Thundermother - fans can expect a combination of extra class

TG Now, originally released in 2004, was the sound of Throbbing Gristle testing the waters, seeing how it felt to work together again. The 4-track limited vinyl and CD release was available originally to attendees of the RE-TG Astoria event in 2004,

Three Queens in Mourning first gathered in summit to sing celebration of the publication of Will Oldham's book of collected lyrics, Songs of Love and Horror. Alasdair Roberts (Appendix Out), Jill O' Sullivan (Jill Lorean), and Alex Neilson (Trembling Bells, Alex Rex) each arrived provisioned with a small armful of selections nearest and dearest from Bonnie Prince Oldham's far-reaching catalogue. Three Queens in Mourning's takes on these tunes follow naturally from the fit between Will's words and their threedistinctive voices. Alasdair Roberts' sweet, guileless delivery of "Christmas Time in the Mountains" amplifiesthe lacerating quality of the lyric "we need an enemy / I'm saving all my rage for you"; even if at the outset of the song we're told that "time is the enemy," the abiding sentiment-the red-hot word that organizes my memory of the song-is rage. Ali's and Jill's trading of verses on "New Partner" puts a different spin on what had previously registered as an especially mercurial first-person narrative voice, one that swoops between tenderness ("lay back, rest your head on my thighs") and ecstatic self-absorption (breaking it to the ex to whom the song is addressed that "I've got a new partner riding with me"). Add Alex's voice, not only for his madcap "Lost Blues," but as part of the choir on "Ohio River Boat Song" (a song with origins in the traditional "Loch Tay Boat Song"), and these three Scottish accents singing about the muddy Ohio, Smoketown, Oldham County, and Floyds Knobs, I mean, there's not much else this Kentuckian-these are all deeply familiar landmarks-can say. Type through tears. On this back to back records, The Bonnie 'Prince' Billy LP is a collection of three cover versions from Ali, Jill and Alex directory and one original track. Three Queens in Mourning / Bonnie 'Prince' Billy is a collaboration between Will Oldham (Bonnie Prince Billy), Alasdair Roberts (Appendix out / Drag City), Jill O Sullivan (Jill Lorean) and Alex Neilson (Trembling Bells, Alex Rex) Sleeve notes by David Grubbs

Point Of No Return' is the stunning follow up album to 2018's critically acclaimed debut record 'Murder and The Motive' which entered the official UK rock chart at #5. Coming from a fine tradition of Welsh Rock music - Those Damn Crows are destined to fly high. Produced by Colin Richardson (Bullet For My Valentine, Machine Head & Slipknot) and Andy Sneap (Opeth, Megadeth, Trivium). Soulful vocals over hard rock licks and anthemic choruses: 'Point Of No Return' is Those Damn Crows finest work to date and has the potential to propel them to the big time. Signed to Earache Records, Those Damn Crows are the next outfit to follow in the footsteps of world-renowned rock bands such as Rival Sons, Blackberry Smoke, The Temperance Movement and UK chart smashers Massie Wagons.

Vespertine is the musical score that THIS WILL DESTROY YOU composed for Chef Jordan Kahn’s 2-Michelin Star restaurant of the same name. The score originally ran exclusively at the physical site of the restaurant in Culver City, California, since its grand opening in late 2017. The program consists of seven pieces specifically written for moments within the building itself (and even the space around and on top of it). The sequencing of the album is an attempt to mimic the order in which diners at Vespertine encounter different spaces throughout their experience. “Rumble” is the ever-present hum and ominous force surrounding the immediate exterior of the building. “Entrance” signifies the crossing over from the terrestrial realm into the inner atmosphere of “The Waffle” structure, where the evening begins to unfold. “Kitchen” is an warm, hospitable piece that accompanies a personal encounter with Chef Kahn. “Rooftop” and its celestially-inspired movements often pair perfectly with clear nights atop The Waffle. “Dining Room” sets the tone for a multi-course main dinner service. “Exit” is another transitional piece signifying the end of the main service and setting the stage for a supplemental experience. Finally, “Garden” welcomes diners back into a semi-terrestrial realm wherein afterdinner sweets and beverages accompany reflection upon the evening’s moments, all in full view of the looming architectural monolith that is The Waffle.

180gr. Vinyl

They Might Be Giants' first album, often called the pink album, is celebrating it's 33 1/3 birthday, and Idlewild Recordings is marking the occasion with a fully remastered vinyl re-issue. Long out of print in any physical format, this vinyl pressi

Limited coloured vinyl

The Belfast Gypsies' sole album was first issued in Scandinavia by Sonet in 1967. Though the lettering on the sleeve led many to incorrectly think it was an album by Them titled Belfast Gypsies, the name of the group is indeed the Belfast Gypsies (

Thee MVPs are an incredibly focused, close knit group of friends who have found a sound that is completely their own whilst operating on their own terms. After years of nearly relentless touring that took them to the other side of the world and back, the band has fully articulated that sound with 'Science Fiction'. Recorded themselves and mastered in Chicago with Shellac's Bob Weston, 'Science Fiction' features 10-tracks of deceptively infectious riff-driven motoric grooves and beat heavy, high energy blowouts that demand movement. Each delivered with a sardonic smirk, these new tracks demonstrate the veteran quartet willingness and ability to renew themselves and the kraut/punk/garage/whatever-rock genre within which they operate, to expand on a sound that is hook heavy whilst also remaining challenging and innovative. The band describe the new album as part-concept. Speaking about the themes behind the record, they say "the album ties in references and homages to Sci Fi with the modern millennial difficulties all of us face as we move away from our youth. Some themes include always having camaraderie in the face of any dire straight, how being contactable 24/7 probably isn't best for any of us and how really we're not any more different/cooler/better/worse/charming/narcissistic than anyone else because we do a band." Fiercely independent and known for their remarkably hardworking ethics, the band have already played over 350 shows internationally touring across the US, playing three UK tours (one supporting Flat Worms), performing at a ridiculous 17 SXSW shows in 6 days including Desert Daze and Levitation, and supporting the likes of Surfbort, METZ, Twin Peaks, Ty Segall, Meatbodies, Dead Meadow, CFM, Night Beats, ORB and more. Alongside the announcement of their new album the band have also revealed a new string of UK tour dates for May 2020 (full list below), and plan to tour relentlessly going forward, much as they did through previous years, but this time off the back of their best material yet. Thee Debut Longplayer from Thee MVPS, on their own label, taking cues from all of their favourite labels_Influenced by sst, in the red, au go go, goner, stiff, castle face, dischord etc. (you know, the good ones!!). The band lives in the same house in Leeds, they have a whole slew of 7" records out all over the world, some sold out, some, not, they are steeped in music, playing live and this album shows that: Thee MVPs (Most Valuable Players) love music a whole bunch and hope they made a record that shows that Thee MVPs believe you can do a band just as well as anyone else Thee MVPs ran in to quite the hurdles trying to do make this album, a good few Gs sank in the wrong places and to say bad luck follows them would be an understatement. Thee MVPs have already done 350+ shows all over the world. Thee MVPs have played with all your favourite bands. Thee MVPs mastered the record in Chicago with Bob Weston of Shellac. Thee MVPs wanted the first record to be 10 songs, Blue Album style. Thee MVPs think some of the guitar solos are like J Mascis. Thee MVPs think the bass is the best sounding instrument on this album. Thee MVPs like Hot Snakes, The Stranglers, Sleep, Meatbodies, Marked Men, Quelle Chris, CAN, Black Sabbath, Black Flag and Super Furry Animals. Please add on whatever else that makes them sound like they have cool influences. Thee MVPs ditched the reverb and space echo on the vocals and traded it for better lyrics. Thee MVPs consider this album part concept - tying in references and homages to Sci Fi with themes of difficulties all of us face as we get a little less away from youth. Some themes include always having camaraderie in the face of any dire straight, how being contactable 24/7 probably isn't best for any of us and how really we're not any more different/cooler/better/worse/charming/narcissistic than anyone else because we do a band Thee MVPs were lucky enough to have Edd's mum Sahrah, an architect student to design the cover based off Joel's readings of polymath Walter Russell. This is the best MVPs record until the next one is out

Theatre Of Tragedy's 1997 EP 'A Rose For The Dead' has now been reissued on vinyl. Remastered and includes bonus track.

Theatre Of Tragedy's 1997 EP 'A Rose For The Dead' has now been reissued on vinyl. Remastered and includes bonus track.

Shortly after their great comeback album Renaissance Men (May 2019), which is celebrated in the British rock scene as Best Rock Album 2019 (so far), the legendary quartet around Ginger (ex-Quireboys) and CJ Wildheart already presents their new mi

THE WHO S LEGENDARY FESTIVAL SET.

Hand-Numbered, Limited Edition 180g Red & Blue Vinyl 2LP! First Time On Vinyl! 3 Sides Of Music With Etched 4th Side! The Who, live at Woodstock, New York on August 17th, 1969. By the time The Who came onstage at Woodstock, after many delays, it was

Limited Deluxe Edition Blue Vinyl With 84 Page Music Legends Magazine - THE WHO edition. It is now over 40 years since the world lost one of its true great rock stars. Keith Moon was the driving force behind the formation and growth of The Who. This powerful anthology celebrates the wonderful period of unrivaled creativity by The Who in the studio, on the road and on the airwaves. The years from 1964 to 1978 were the halcyon years of The Who and the name of Keith Moon will forever be associated with that brilliant legacy. Tracks: Side A: I Can’t Explain / Pinball Wizard / My Generation / Won’t Get Fooled Again Side B: See Me, Feel Me/Listening To You / Behind Blue Eyes / Substitute / Baba O’Riley / Summertime Blues

The concept album 'Tommy' is considered one of the highlights in the artistic work of The Who and especially Pete Townshends, who composed almost all the tracks on the album. May 1969 Tommy was released as a double LP by Track Records in Great Britain. It reached number 2 in the charts and the band went on tour afterwards to present the album live. This Digipak double CD contains a recording from Amsterdam on September 29th of the same year. It is the only complete soundboard recording from 1969 and was played by AVRO-FM on the radio at the time.