Psychedelic Rock

AN AMAZING BEST OF UNRELEASED, ALTERNATIVE AND PROMOTIONAL MIXES FROM THE LAST 25 YEARS.

Connoisseurs of the Krautrock know about its roots - Vibravoid brought back with their Pink Floyd interpretations to bring an essential source of inspiration of Krautrock to the legendary Finkenbach Festival. This also reveals the crucial difference

ORIGINALLY RELEASED IN 2014 AS AN ITALIAN VINYL ONLY UNDER THE NAME OF "DELIRIO DEI SENSI". THIS IS A NEW GERMAN EDITION INCLUDING BONUS TRACKS, NEW MIX AND REMASTERED SOUND! ONE OF THE BEST CONTEMPORARY PSYCHEDELIC AND KRAUTROCK ALBUMS!

One of the most interesting psychedelic band from Russia mixed space rock /psychedelic /post & progressive rock in a special way for the new official studio album. It was created very carefully bit-by-bit for 2 last years. For the first time in the history of the band, a string quartet took part in recording one title. Whole concept and fantastic artwork by Denis Hohrin, was inspired by uncompleted prophetic books by the English poet William Blake from 1797. "The Four Zoas" is another highlight in the band history.

Timemachine Productions (Greece) and Purple Room are excited to announce the forthcoming album release 'Yesterday's Sunshine today'. This unique album was recorded in 2019 in 19 different studio locations by new young 'bands who are fans' from around the world rebirthing the classic Nirvana songs in a magical way for a 2020 release! The songs written by Patrick Campbell-Lyons and Alex Spyropoulos in the sixties (1967- 1969) have a timeless quality that has been acknowledged by their fans in Europe, Japan, USA, and Australia, now 'Yesterday's Sunshine Today' conceived and compiled by Patrick takes us on a new musical journey of love and vision. A limited-edition vinyl-only release (500) copies, it comes with a printed inner sleeve that has photographs of the participating bands and a quote from each one explaining their choice of song to record'Tracks: 1. Tiny Goddess Constantine (Chicago/Usa) 2. Wings of Love Echo Train (Athens/Greece) 3. In the Courtyard of the Stars the Watch Brigade (L.A./Usa) 4. You Can Try It 8w8 (Alexander Kodchenko/Lane Steinberg) (Uk 5. All of Us Costas Stergiou (Athens/Greece) 6. Flowers For Friday the Clockwork Flowers (London/Uk) 7. S Wood Affair (Bridport/Uk) 8. Rainbow Chaser Mikah Wilson & Peaches In Honey (L.A./Usa) 9. Pentecost Hotel Olaf Putker (Zutphen/Holland) 10. S Nile) (L.A./Usa) 11. Aline Cherie Ben Reed (London/Uk) 12. Busy Man Nick Capaldi (Dorchester/Uk) 13. Lonely Boy Wyatt Starr (L.A./Usa) 14. Trapeze/Requiem Jc Pisces People (L.A./Usa) 15. All I Do is For You the Absorbus Machine (Athens/Greece) 16. Pentecost Hotel Henry Priestman (Hull/Uk) 17. The Show Must Go On/Frankie the Great/I Believe In Magic (Me 18. Rainbow Chaser Jacco Gardner (Lisbon/Portugal) 19. 1999 John Cavanagh (Glasgow/Scotland)

The music from Mauritius in the 70s found on this compilation naturally evolved from this original sega, a music made by the creoles. Created at the crossroads of Afro-Malagasy, Western and Indian cultures, pop, soul and funk arrangements, syncopated ternary polyrhythms, saturated guitars, psychedelic organs and Creole vocals, this musical phenomenon is as incredible as a tropical flower in bloom. The Creoles are mostly descendants of slaves who were deported in mass in the eighteenth and nineteenth centuries from Madagascar and the East African coast for the cultivation of spices and coffee and later sugar cane. On the margins of these hellish plantations was secretly created a music called tchiega, chéga or tsiega, a distant cousin of the blues.

Volume 1: 60 Miles High Garage Punk, Electric Folk & Psychedelic Wonders Limited Edition, 180g Red Coloured Vinyl Full Colour 4-page vinyl booklet with Comprehensive Liner Notes and Rare Colour Photographs Side One 1. The Glass Sun I Can See The Ligh

Avocado green viyl!

The forthcoming latest edition of the popular compilation series of long-lost vintage 60s-70s proto-metal and stoner rock singles, Brown Acid: The Eighth Trip, is set for release on April 20th, 2019. The series is curated by L.A. label RidingEasy Rec

Interzone' is the third full-length album by New York's electro post-punk duo The Vacant Lots, to be released via Fuzz Club on June 26th 2020. A genre-blending synthesis of dance and psych, 'Interzone' is made for secluded listeners and all-night partygoers, meant for headphones and the club. Uninhibited by the limitations of two people and continuing their mission of "minimal means maximum effect," The Vacant Lots' Jared Artaud and Brian MacFadyen create an industrial amalgam of icy electronics and cold beats with detached vocals and hard hitting guitars. 'Interzone's trance-like opener 'Endless Rain' and the kinetic Krautrock stomper 'Into The Depths' are followed by scintillating dark disco anthems 'Rescue' and 'Exit'. Side 2 kicks off with 80's synth-pop track 'Fracture' and haunting after-hours minimal wave 'Payoff,' while 'Station' and album closer 'Party's Over' deal with disillusionment and conquering one's indifference to make real change. The album creates order from chaos and delves into escapism, isolation, relationship conflicts, and decay. With nods to William S. Burroughs and Joy Division's song of the same name, "Interzone is like existing between two zones," Jared says. "Interzone doesn't mean one thing. It can mean different things to different people depending on their interpretation. Working on this album was a constant struggle reconciling internal conflicts with all that's going on externally in the world. Interzone, in one word, is duality." On Interzone, the band produced the 8 songs, 30 minutes record and teamed up with long term collaborators Ivan Liechti who designed the album artwork, and Ted Young who engineered the record. Maurizio Baggio mixed the record and contributed additional production and it was mastered by Gianni Peri. The Vacant Lots have released singles with Mexican Summer and Reverberation Appreciation Society, collaborated on their debut album 'Departure' with Spacemen 3's Sonic Boom, their second album 'Endless Night' with Alan Vega, and most recently on their two EPs, 'Berlin' and 'Exit', with Brian Jonestown Massacre's Anton Newcombe at his studio in Berlin. The group has toured with Black Rebel Motorcycle Club, Suicide, Brian Jonestown Massacre, The Growlers, Dean Wareham, The Dandy Warhols, and Spectrum.

Tuvaband is the solo project of singer, songwriter and producer Tuva Hellum Marschhäuser. She captures a strange magic in her songs through her songwriting and distinctive sound production, together with her feather-light vocal. 'I Entered The Void'

On Gold Vinyl

On Gold Vinyl

180Gr./Debut Album/500 Numbered Copies On Gold Vinyl

Commissioned by the acclaimed film director Roman Polanski, the English cult band Third Ear Band faced the challenge in order to insert a hell of imagination and creativity to his very own, author cinematographic version of Macbeth, a play by William Shakespeare. The resulting 44 minutes of imaginative sounds, divided in 16 outstanding pieces, is an astonishing example of an archaic, twisted, abstract psychedelia, rooted on medieval and classical textures. A Monster-Munster gem! DESCRIPTION As a luxurious aperitif for the future release of the "Elements" album (including its extra sauces), Munster Records bring us "Macbeth", the staggering soundtrack by the English band Third Era Band for a Roman Polanski's film, recorded and produced in 1971. A magical invitation urging the listener to dive into unsuspected regions of boldness, unpredictability, and an intimate abstract-folkster-experimentalism. According to the founding member Glenn Sweeney, "the music was called alchemical because it was produced by repetition". However, mind it, such repetition doesn't follow the same musical structures of, let's say, Terry Rilley, Steve Reich or Philip Glass due to its indefinite nature of internal-twisted and tormented passages of a peculiar poetic enchantment. The band, formed in Canterbury, started in 1967 playing an oriental hypnotic-free-form-folk. Signed to the prosperous cult label Harvest, they debuted in 1969 with "Alchemy", an instrumental jazzy-psych improvisational album. A fully formed masterpiece came in 1970 on the already aforementioned self-titled opus, also known as "Elements". For "Macbeth", their third one, just the main chief Glenn Sweeney (assorted percussion) and Richard Coff (viola and violin) remained from the original four-piece line-up. It was recorded when half of the quartet - Richard Coff (viola and violin) and Ursula Smith cello) - had already departed, and they were about to record a third album entitled "The Dragon Wakes", which had promised to be an electric album with rock influences. Aside from a few sessions, this album was never completed. The themes presented on the film were composed in an improvised manner while watching black and white excerpts of the oeuvre. The music, recorded in six weeks at George Martin's Air Studios, in July 1971, has the same unconventional and quite unique dimension as the film itself. It is an auteur music for an auteur film. The music seems to fit perfectly the deliriously idiosyncratic free narrative of the story adapted by Polanski, even if it was used sparingly or remixed in a debatable form for a purist music fan. Glenn Sweeney summarized his creation better than any critics attempted: "Third Ear Band music is a reflection of the universe as magic play illusion simply because it could not possibly be anything else. Words cannot describe this ecstatic dance of sound, or explain the alchemical repetition seeking and sometimes finding archetypal forms, elements and rhythms..." There is an arty-medieval atmosphere overall, and it's folkishly ludic in tracks like 'Overture', 'Iverness', 'Court Dance' and 'Fleance', where the experimental interjections function as colorful devices. 'Fleance' - with the guest singer Keith Chegwin - is a scintillating highlight. The poetic assaults of concrete music are present in themes like 'The Beach', 'Ambush', 'Prophesies', as if every drumming fractures, singing seagulls or sharp whistles where conducting us to waves of fear into the unknown. There are other lost beauties in its official 44 minutes like the minimal oboe melody of 'Lady Macbeth' floating as a centipede of dreams or the lyrical guitar chords of 'The Banquet' punctuating a climax of sheer mystery. And, by the way, that is the song played during a banquet at the castle when the band appears for a few precious seconds on the film. Taking in consideration the uniqueness of the film, we have in here a sublime soundtrack for it. A music that makes us feel the unfathomable and the unpredictable, sometimes going softly as a solid mystery piece. Close your eyes and enjoy an adventure in this kaleidoscopical carpet of unexpected possibilities of the imagination. Fernando Naporano

The Belfast Gypsies' sole album was first issued in Scandinavia by Sonet in 1967. Though the lettering on the sleeve led many to incorrectly think it was an album by Them titled Belfast Gypsies, the name of the group is indeed the Belfast Gypsies (