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1975 LIVE BROADCAST FROM CLEVELAND, OHIO BY THE CLASSIC RUSH LINE -UP Shortly after the release of Rush s debut album in 1974, original drummer John Rutsey was forced to leave the band due to health difficulties stemming from diabetes and his general distaste for touring. His last performance with the group was on July 25th, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new drummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29th, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14th. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Geddy Lee, who had lost interest in writing, despite having penned the words for the band's debut. Instead, Lee, along with Alex Lifeson, now focused primarily on the instrumental aspects of Rush. Their sophomore album, Fly by Night (1975), saw the inclusion of the band's first epic mini-opera, By-Tor and the Snow Dog , replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart, because of his love for fantasy and science-fiction literature. Despite these many differences however, much of the newer material still closely mirrored the blues style found on Rush's debut. Having spent almost the entirety of 1974 touring their first album across Canada and the USA, in February 1975 they were back out on the road promoting Fly By Night. Starting the tour again in their native country at Waterloo, Ontario s Wilfrid Laurier University Theatre Auditorium on February 14th, within a week they had crossed the border and were performing at the Indianapolis Convention Centre supporting the Faces. On April 7th 75 the band pulled up at The Agora Ballroom in Cleveland, Ohio a venue they had played a year before on their first US tour, and which, like tonight s show, had also been the subject of an FM radio broadcast (available as the ABC 1974 CD). The set list differs quite substantially from the 1974 gig however and this was their first US gig at which they were the headline act. Playing five cuts from FBN, four from their debut and keeping their favourite cover of the time - Larry Williams Bad Boy - in the set, this dynamic performance featuring superb audio sound quality finds Rush at a still early but most ambitious time in the group s history when it must have seemed, for band and fans alike, that just about anything was possible. Record Label: Roxvox Style: Rock

Record Label: Sanfuentes Records Style: House/Techno

CHARLY RECORDS PRESENTS SUN ROCKABILLY LEGENDS SERIES VOLUME 4 - BILLY LEE RILEY ED HOT' RELEASED ON LIMITED EDITION 10" RED VINYL. Billy Lee Riley was one of the wildest of the rockabilly wild men. A multi-instrumentalist and songwriter he was one of Sun Records' most significant signings. Blessed with a unique talent, possessed of rugged good looks and seemingly finding himself in the right place at the right time, Billy Lee Riley surprisingly failed to find the fame and fortune he deserved. Riley has always been held in high regard by rockabilly fans. His backing band, The Little Green Men, comprised the cream of Sun's session men, including Jerry Lee Lewis on piano. 'Flying Saucers Rock And Roll' and 'Red Hot' are two undisputed landmark recordings in rockabilly and lead each side of this excellent collection. The 10 tracks have been newly-re-mastered from the original tapes and pressed on audiophile quality 10-inch vinyl. First 1,000 copies will be on limited edition red vinyl and feature definitive career-spanning sleeve notes by Adam Komorowski. The Sun Rockabilly Legends Series is produced by Sun Entertainment Corporation president John A. Singleton and Charly Records founder Jean-Luc Young. Record Label: Charly Style: Rockabilly

Record Label: Aarrgh Records Style: Metal

"Musica per commenti sonori", also known as "Lipstick" and released by Costanza, came out in 1979 and is one of Roelen's latest examples of library music before his death, which occurred in 1985. The tracks are often characterized by a typical late-seventies funky mood, but they also feature some laid down moments that would sound great in some erotic films soundtracks. 'Music for all hours' says the back cover, and that's perfectly true! Record Label: Schema Easy Series Style: Soul

Record Label: Freaks R Us Style: Alternative Rock

Downloadcode / 180g / Poster. With ‘Honeymoon On Mars’ legendary post punk provocateurs The Pop Group open another chapter at a time when their iconoclastic contention is needed more than ever. It’s a record that finds the band unwaveringly incensed and resolute in their mutative sense of innovation, as Stewart elaborates: ‘it’s a stand against manufactured hate, a hypersonic journey into a dystopian future full of alien encounters and sci-fi lullabies’ Produced by dub titan Dennis Bovell, who worked on their seminal Y album debut, and Public Enemy / Bombsquad legendary producer Hank Shocklee, Honeymoon On Mars represents the band’s realisation of a dream twofold collaboration. Bovell produced the bulk of the sessions while Shocklee took the helm on City Of Eyes, War Inc. and Burn Your Flag. Talking about working with The Pop Group, Shocklee said: "The Pop Group sound has a level of freedom, fun and creative musicianship in their recordings that is a special and rare find in today's world. Their uncompromising spirit to be themselves and not worry about fitting into a musical box, sets them apart.” Long-time collaborator Bovell added: “It’s been a great pleasure to be working with the guys again. They are truly beyond good and evil. Record Label: Freaks R Us Style: Alternative Rock

Racy and doomy soundtrack filled with incredible dark jazz tunes composed by the great PIERO PICCIONI for the Italian cinema masterpiece LE MANI SULLA CITTA' directed by FRANCESCO ROSI and winner of the Leone d'Oro at the Venice Film Festival of 1963. Piero Piccioni has composed more than 300 scores for film, television, radio, ballet and orchestra, working with legendary directors as Luchino Visconti, Vittorio De Sica, Dino Risi. LIMITED EDITION OF 500 COPIES / BLACK VINYL COMPLETE SCORE FOR THE FIRST TIME AVAILABLE ON VINY Record Label: Dagored Style: Soundtrack

The Perishers were a Swedish indie rock band. The band formed in 1997 with six members. The lineup since 2001, has consisted of Ola Klüft (vocals, guitar), Martin Gustafson (keyboards, backing vocals), Pehr Aström (bass), and Thomas Hedlund (drums). In 2005, the band was personally handpicked by Sarah McLachlan to open her second leg of the Afterglow tour. Each night of the tour, Sarah McLachlan joined the band and sang background vocals on their song 'Pills'. The live track was released as a promotional CD single and as an online exclusive EP via Tower Records later that year. Additionally, several of their songs have been played in episodes of the American television programs The O.C., One Tree Hill, Greek and Veronica Mars. in Veronica Mars, the ballad "Sway" featured prominently in a climactic episode of the series' second season. Sarah Isaksson (Klüft's former vocal teacher) is a featured artist on their song "Pills." Their song 'My Heart' has been played on Saturn Sedan commercials as well as a second-season episode of the ABC Family series Kyle XY. Another song, 'Trouble Sleeping', was played in a promotional spot for Grey's Anatomy; the song 'Come Out of the Shade' was featured in an episode of the show. In 2010 the band broke up when Klüft left the group in order to perform under the name A Lanky Swede - he released his first solo album on 14 April 2011 Record Label: Nettwerk Style: Indie Rock

LIMITED RED & BLACK STARBURST VINYL. There are zombies…and then there are brain-eating zombies! And Return of the Living Dead was the film where brain-eating zombies got their first lease on, er, life. Feat. the greatest punk and death rock bands of the era, including The Cramps, 45 Grave, The Flesh Eaters, The Damned, Roky Erickson, The Jet Black Berries, T.S.O.L. Record Label: Real Gone Music Style: Soundtrack

180g! How can you describe a musical quantum leap? Maybe it’s best to explain it in numbers. Flügge [meaning “independent” or “to spread one’s wings” in German] is 44 minutes and 41 seconds long, includes 14 songs and 13 instruments divided by two musicians drawing on at least ten different musical spheres of influence. Sampling and digital post production: zero. The second album by Berlin duo Odd Couple has become an eclectic mix that doesn’t fit too easily into a category. When Tammo Dehn and Jascha Kreft were working on their debut “It's A Pressure To Meet You”, which was released two years ago, they were still at the primordial soup stage of sultry garage-rock. Flügge outgrew the age-old framework of guitar, bass and drums with a confident vehemence. The record breathes rock music, speaking the language of the Blues with riffs in widescreen and keyboards under cover of night, but nevertheless structured by the skeleton of a modern interpretation of Krautrock and the repetitive punching beat of classic hip-hop productions. The result is a sound that the German music scene has not yet heard. Flügge consistently directs its gaze inwards. Six years after their arrival in Berlin – a circus of coolness, drugs and trendy hang outs – the two kindergarten buddies from Ostfriesland still feel somewhat out of place. So, what should they do? Another satirical outcry, like their debut? No, instead they had a rummage around in their own “Gehirnkasten” (“brain boxes”), to name one of the songs on Flügge. “We made a conscious decision to be introspective,” explains Dehn. “On one hand, we can’t exclude ourselves from the criticism, but on the other hand something had developed in us over the years that we just had to get out”. Initially this included the typical ingredients of pop: love, pain, anxiety, overwork and instability. But the duo managed to do this without losing sight of their humorous, albeit caustic, take on their own contradictions – and, consequently, those of a whole generation. “Our age group is living out the self-discovery only dreamed about by our parents which, ironically, has been made possible by a lifestyle that people reject today – a normal job and a savings account” says Dehn. “We wanted to examine this position.” This is particularly evident in the title song “Flügge” in which Odd Couple describe a trip to California – “Es war schön, Mami!”(“It was really good, Mommy!”) – which led to their supposed enlightenment about life: “Ich glaub’, ich hab’s verstanden” (“I think I understood it”). The problem is that it takes more than just going on a journey by yourself or joining a yoga class for beginners to formulate a theory of everything. It is more a case of life throwing you a never-ending cycle of challenges that constantly change and in the end most people are none the wiser for it. Why is that? “Let's go online so you can choose out of it,” suggest Odd Couple on the album’s moody highlight “Très Mello”, declaring, “Too many options make me feel like I'm lost.” We want to have our cake and eat it too. City and tranquillity. Nature and infrastructure. Forest and electricity. Preferably with Wi-Fi. The fact that this social criticism works so well musically is based on the band’s own self-observations. “Flügge feels like our first real album,” says Kreft. “This is us, here and now.” It’s easy to see why. Before its release in 2014, their self-produced debut album was left to stew for exactly two years and three months on their home computer’s hard drive. For “Flügge” however, it was the other way around. The album was recorded in full within just a few weeks, mixed by Dehn himself and mastered by Kai Blankenberg. “It was refreshing,” says Dehn. “Some songs only materialized once we’d started the sessions.” This meant that technical crutches were largely prohibited. Despite its sonic diversity, all of Flügge was performed; nothing was sampled. “We wanted to take on the challenge of producing a modern sound using analog resources” the duo explained, “Basically, we want to be anything but a retro band.” With Flügge, Odd Couple have certainly made the grade. Although the record helps itself to parts from the rock warehouse, it doesn’t simply rebuild what has gone before. Songs like “Orbit Traveller” or “Serve” are daydreams in song format, “Am I Evil” features riffs and distortion pedal in just the right places and “Go Sees” with its falsetto chorus is a little masterpiece. References or comparisons would be out of place at this point. Flügge stands on its own. Odd Couple belong to a time when rock music is almost desperately seeking its own identity – a positive anachronism. Their version of rock can sure tell us a thing or two... and it’s fun! Record Label: Cargo Records Style: Psychedelic Rock

Record Label: Cargo Records Style: Psychedelic Rock

DLP on Transparent Red Vinyl / Foil Blocked Gatefold Sleeve. Still one of the most highly regarded horror films of all time, F.W. Murnau's unauthorised adaptation of Bram Stoker's Dracula, Nosferatu (1922), is an Expressionist masterpiece of the silent era. Much of the original score by Hans Erdmann (meant to be played live by an orchestra) was lost, leading Nosferatu to inspire several subsequent soundtracks, the best known of which is by Hammer Horror composer James Bernard, written for the Tanis Film video reissue of the film in 1997. The world premiere of the score was performed by Nic Raine and the City of Prague Philharmonic Orchestra at the London Film Festival the same year and now, almost twenty years later, the score is being pressed on vinyl for the first time. Record Label: Silva Screen Style: Soundtrack

180 GRAM AUDIOPHILE VINYL 30TH ANNIVERSARY PVC PROTECTIVE SLEEVE Thirty years ago, director Rob Reiner chose the picturesque town of Brownsville, Oregon as the filming location for his classic coming-of-age story, Stand By Me. The heartwarming movie was nominated for an Academy Award and has continued to be a favorite of both critics and fans around the world. The film, whose plot is based on Stephen King's novella The Body and title is derived from the Ben E. King's eponymous song, which plays over the opening and ending credits, tells the story of four boys in small town Oregon who go on a hike across the countryside over Labor Day weekend in 1959 to find the dead body of a missing child. The classic soundtrack is crammed with early rock & roll hits ("Yakety Yak", "Lollipop" & "Great Balls of Fire" o.a.) and still sounds very alive today, decades after it was originally released. Record Label: At The Movies Style: Soundtrack

180 GRAM AUDIOPHILE VINYL GATEFOLD SLEEVE INCLUDING 4 PAGE INSERT WITH PHOTOS, TRACKLISTING AND CREDITS PVC PROTECTIVE SLEEVE FIRST PRESSING OF 500 NUMBERED COPIES ON WHITE VINYL Record Label: At The Movies Style: Soundtrack

Record Label: Stones Throw Style: R&B

No Monster Club is the cartoonish art-pop brainchild of Dublin's BOBBY AHERNE - a project that has already produced around a dozen albums containing "the kind of tunefulness that makes a joke of so much contemporary pop music" (The Irish Times), and a slew of summery singles that have been compared to "a stripped-down, sugar high Pet Sounds" (NYLON Magazine). This is No Monster Club's debut US release, which is also the bands' debut foray into the 7"vinyl medium! Skillfully mastered to ensure maximum fidelity, this immediately catchy and classic pop EP containsfour jump-up-and-down solid gold bangers, heralding Aherne's songwriting as it blossoms into dazzling brilliance. Record Label: Emotional Response Style: Indie Rock

DELUXE PICTURE DISC VINYL EDITION!!! Down Under On A Saturday Night – The Palace, Melbourne, Australia 2nd February 1992 & Saturday Night Live 1992 + 1993. Introducing "Down Under On A Saturday Night", that features songs taken from three very energetic live performances by Nirvana, on Limited Edition picture disc format for the very first time! The concert heard on Side A is a recording of the band playing live at The Palace in Melbourne that was originally broadcast on a national radio show in 1992. And side B consists of tracks taken from their two performances on the "Saturday Night Live" Australian television show in 1992 and 1993. The listener will be glad to hear blistering live versions of some Nirvana fan favourites such as Rape Me, Heart Shaped Box, Polly and many more! SIDE A 1.About A Girl 2.Come As You Are 3.Breed 4.Polly 5.Lounge Act 6.Love Buzz 7.Lithium SIDE B 8.Smells Like Teen Spirit 9.Territorial Pissings 10.Rape Me 11.Heart Shaped Box Record Label: Parachute Style: Alternative Rock

Colin Newman's 3 classic early 80's solo albums "A-Z", "provisionally entitled the singing fish" and "Not To" originally released on Beggars Banquet / 4AD re-released on his own new imprint Sentient Sonics. Unavailable for many years - the remastered original albums come on single vinyls. These albums were recorded and released between 1980 & 1982 in a "post 154" rush of activity. While all the albums bear the name Colin Newman they differ in that "A-Z" and "Not To" were recorded as "band" albums with Colin being joined by WIRE's Robert Grey, Mike Thorne (who also produced, as he had the first 3 Wire albums) and Desmond Simmons on "A-Z" and Robert, Desmond & Simon Gillham on "Not To". "provisionally entitled the singing fish" was more an "actual" solo album in that everything was played by himself. Colin produced the latter 2 albums with Steve Parker engineering. Record Label: Sentient Sonics Style: Indie Rock

Colin Newman's 3 classic early 80's solo albums "A-Z", "provisionally entitled the singing fish" and "Not To" originally released on Beggars Banquet / 4AD re-released on his own new imprint Sentient Sonics. Unavailable for many years - the remastered original albums come on single vinyls. These albums were recorded and released between 1980 & 1982 in a "post 154" rush of activity. While all the albums bear the name Colin Newman they differ in that "A-Z" and "Not To" were recorded as "band" albums with Colin being joined by WIRE's Robert Grey, Mike Thorne (who also produced, as he had the first 3 Wire albums) and Desmond Simmons on "A-Z" and Robert, Desmond & Simon Gillham on "Not To". "provisionally entitled the singing fish" was more an "actual" solo album in that everything was played by himself. Colin produced the latter 2 albums with Steve Parker engineering Record Label: Sentient Sonics Style: Indie Rock

Colin Newman's 3 classic early 80's solo albums "A-Z", "provisionally entitled the singing fish" and "Not To" originally released on Beggars Banquet / 4AD re-released on his own new imprint Sentient Sonics. Unavailable for many years - the remastered original albums come on single vinyls. These albums were recorded and released between 1980 & 1982 in a "post 154" rush of activity. While all the albums bear the name Colin Newman they differ in that "A-Z" and "Not To" were recorded as "band" albums with Colin being joined by WIRE's Robert Grey, Mike Thorne (who also produced, as he had the first 3 Wire albums) and Desmond Simmons on "A-Z" and Robert, Desmond & Simon Gillham on "Not To". "provisionally entitled the singing fish" was more an "actual" solo album in that everything was played by himself. Colin produced the latter 2 albums with Steve Parker engineering. Record Label: Sentient Sonics Style: Indie Rock

The debut album of psych-pop sunshine rockers! The Los Angeles band was previously known as Blackfeet Braves. Record Label: Lolipop Records Style: Alternative Rock

180g vinyl. "The bastard offªspring of the Jesus And Mary Chain meets a seriously twisted and distorted version of Weezer." Mouses are a lo-garage rock duo from Billingham renowned for their raw and energetic live performances and a tendency for gig induced self-destruction. Formed in early 2014, they have built a growing reputation for their unique sound, combining surrealist lyrics and playful melodies in a whirlpool of fuzzed-out, frenetic punk rock. Mouses have burst onto the scene with festival appearances at Leeds/Reading, Liverpool Sound City, Olgas Rock Festival in Germany.. THIS IS their much anticipated debut album. Record Label: Sister 9 Recordings Style: Indie Rock

Record Label: Cb Records Style: Electronic

12" LP: + FREE CD + PRINTET INNERSLEEVE + POSTER The Monsters were formed in BERN SWITZERLAND 1986 as a Altarnative to the Music in that time Period Disco,POP,Mainstream Rock) and after the 30 YEARS in Doing Trash and Playing all over the Globe the Monsters went to Toulouse in France to record their Hot as Shit Album 'M' (named after the Fritz Lang Movie from 1931) the Album Starts with a FUZZ TRASH GARAGE Classic , BABY YOU'RE MY DRUG followed up by a HARD CORE BOOGIE Number DIG MY HAIR, and like that the Album Goes On, all Songs have NO or even Less of a HI END POETRY Aspect, there is so much BLA BLA TALK in this world why do the same, so Cutting the Songs on only a couple of Words seems to be the Logical Fact and the Alternative to what's going on on this Planet at the Moment, Let the Action Talk not The Words. the Sound of the Album is very Raw and there's nothing Sweet about it, it's Recorded in a Rotten Old Practice Room in the Bad Parts of Toulouse with Mr Trash itself LoLo Spider of the Infamous DESTINATION LONELY, the Song VOODOO RHYTHM was written as a Tribut to Voodoo Rhythm records the Record label along with the MUDDY ROOTS Festival in Tennessee USA what became a Homebase for the Monsters as well. Record Label: Voodoo Rhythm Style: Garage/Punk

The debut album from the Luxemburger trip-hopper! For the first time on vinyl Record Label: Kapitän Platte Style: Trip Hop

Monophona cover Johnny Cashs "Folsom Prison Blues" and Morrisseys "Every day is like sunday". Silkscreen print-cover, opens fan-sahped, incl. download-Code, limited to 500 copies. Record Label: Kapitän Platte Style: Trip Hop

one-sided 10 inch! Moderats Live-Mix of Eating Hooks fades over directly into the Siriusmo remix. B-side etched with an artwork from Siriusmo Record Label: Monkeytown Style: Electronic

remix 12 inch with two absolute highlights: A1: Eating Hooks (Siriusmo Remix - Solomun Edit) B1: Eating Hooks (Nght Drps Remix 2) Record Label: Monkeytown Style: Electronic

180 GRAM AUDIOPHILE VINYL INSERT INCLUDES "HEY LUV", "CRAWLIN" AND "THE LEARNING (BURN)" Rap duo Havoc and Prodigy aka Mobb Deep from Queensbridge, Queens, New York returned in 2001 with their fifth album. Resurfacing, after recording Murda Muzik [MOVLP1663], this time they approached the rap-scene differently, moving away from the minimalistic stripped-down heavy violence hip/hop. Center of attention during the release of Infamy was the beef between Jay-Z and Prodigy. During the time of release Prodigy (of Mobb Deep) had been the center of Jay-Z's attack on his track "The Takeover" and Mobb Deep cut the track "Crawlin" where Prodigy strikes back on Jay-Z calling him "H to the know". Tracks like "The Learning (Burn)" featuring Noyd, "Kill That Nigga" and productions from Scott Storch (Dr. Dre/Nas/50 Cent) for "LiveFoul" still display the dark beats and straight-up street rhymes Mobb Deep is known for. The first single of the album was the track "Hey Luv" featuring R&B group 112. Infamy sold over 800.000 copies in the USA alone, reached #26 in the US Top R&B/Hip-Hop Albums chart and has been certified Gold by the RIAA. Record Label: Music On Vinyl Style: Hip Hop