Музыка и песни Protector

LP

Protector - Cursed And Coronated (Limited Edition) (Gold Vinyl) (2016)

Есть в наличии

31149 руб.

Артикул: CDVP 3138248

EAN: 4260255248107

Состав: LP

Состояние: Новое. Заводская упаковка.

Дата релиза: 26-02-2016

Лейбл: High Road

Исполнители: Protector / Protector

Жанры: Metal Thrash & Speed Metal

Что касается музыки, то Protector уверенно держат курс на трэш-метал, с небольшими заходами на "остров дэт-метала". Вокалист Мартин Мисси уверен: "Я верю, что фэнам, которым понравился "Reanimated Homunculus", "Cursed and Coronated" понравится не меньше"
Это вполне обоснованное предположение, поскольку группа остается верна себе и выдает типичный олдскульный трэш Protector, дополненный ядовитым фирменным вокалом Мартина.

диск "Cursed and Coronated" был записан в мае 2015 года в студии Sunlight в шведском городе Норртелье, там же, где уже увидел свет "Reanimated Homunculus". В остальном группа также опиралась на проверенных людей: Томас Скогсберг спродюсировал трэшевый чанк, Патрик В. Энгель вновь отвечает за мастеринг, а обложку вновь оформил Кристиан Волин.

Как и на предыдущем альбоме, Protector представляет собой смесь нового и старого материала: три песни взяты с демо-записей и сплит-синглов 2011 и 2013 годов, а остальные семь композиций - совершенно новые. Если спросить Мартина, что еще можно сказать об альбоме, он ответит как всегда скромно и сочувственно: "На самом деле только одно: мы надеемся, что "Cursed and Coronated" понравится фэнам так же, как и "Reanimated Homunculus". Оставайтесь металлистами!"

-29%

LP

Protector - Excessive Outburst of Depravity (Beer Color Vinyl) (2022)

Есть в наличии

7999 руб.

5700 руб.

Артикул: CDVP 3842177

EAN: 4251267712274

Состав: LP

Состояние: Новое. Заводская упаковка.

Дата релиза: 04-11-2022

Лейбл: High Roller Import

Исполнители: Protector / Protector

Жанры: Metalcore Rock Rockabilly Rock Opera Rock & Roll Rocksteady Thrash & Speed Metal

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LP

Protector - Urm The Mad (2012)

Есть в наличии

5850 руб.

Артикул: CDVP 805599

EAN: 7393210440159

Состав: LP

Состояние: Новое. Заводская упаковка.

Дата релиза: 20-03-2012

Лейбл: To The Death

Исполнители: Protector / Protector

Жанры: Thrash Thrash & Speed Metal

С альбомом "Urm The Mad" Protector представили свой второй альбом в 1989 году. Альбом был записан в студии Phönix в Бохуме, где группа из Вольфсбурга уже записывала свой дебютный альбом "Golem" Вольфсбургская группа уже записала свой дебютный альбом "Golem". "Urm The Mad" должен был стать последним альбомом перед распадом группы в 2003 году на котором за вокал отвечал Мартин Мисси - его место в декабре 1989 года занял Олли Вибель.

На "Urm The Mad" Protector не стали изобретать свой стиль, да это и не нужно, если ты принадлежишь к пионерам трэш/дэта принадлежите. Но "Urm The Mad" известен своим грязным, тяжелым звучанием, сырым продакшеном, который делает песни еще более злыми и угрожающими и угрожающими - зловещие гитары далеко впереди, а безошибочный, смертоносный вокал Мартина стелется над музыкой, как ядовитый туман ядовитый туман. "Urm The Mad" - это трэш 80-х в его самом смертоносном виде.

Своей особой смесью трэша и дэта Protector явно выделялись среди своих соотечественников в трэше. "Urm the Mad" даже заставил Rock Hard объявить их "самой жесткой группой Германии" - в том же году, что и "Extreme Aggression" Kreator вышли "Extreme Aggression" Kreator и "Agent Orange" Sodom! Трэш Protector не менее быстр и техничен но они обходятся без "позитивной" агрессии, столь характерной для трэша 80-х, - вместо этого они обеспечивают вместо этого они создают настроение конца света с помощью более медленных, тяжелых риффов и гробового вокала Мартина; "Urm the Mad" - это темно и мрачно, брутально и экстремально.

в 1989 году вклад Protector в тевтонский трэш был должным образом оценен в основном в андеграунде; пресса того времени держала Protector "под ковром" Мартин вспоминает: "С "Urm the Mad" было то же самое, что и с "Golem" фэны и сцена давали только положительные отклики, но в металлических журналах снова было только "Все в порядке". Так что, пожалуйста, послушайте еще раз!

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LP

PROTECTOR - Golem (Black Vinyl) (2020)

Под заказ

12283 руб.

Артикул: CDVP 3723246

EAN: 4251267706167

Состав: LP

Состояние: Новое. Заводская упаковка.

Дата релиза: 04-09-2020

Лейбл: High Roller Records

Исполнители: Protector / Protector

Жанры: Trash Metal

"Golem" was the first full album by Protector, a savage masterpiece from one of the most underrated but nevertheless most important and influential German thrash/death outfits from the 80s. Protector recorded "Golem" in the summer of 1988 in the Phönix Studio in Bochum, Germany, and they had invited a special guest: The short but sweet thrash outburst "Spacecake" comes with guest vocals from Sodom's very own Tom Angelripper. The re-release of "Golem" comes without any alterations and no extra frills - just pure death/thrash that was ahead of its time in 1988 and will still you blow you away in 2020

LP

PROTECTOR - Golem (Blood Red Vinyl) (2020)

Под заказ

12283 руб.

Артикул: CDVP 3723248

EAN: 4251267706181

Состав: LP

Состояние: Новое. Заводская упаковка.

Дата релиза: 04-09-2020

Лейбл: High Roller Records

Исполнители: Protector / Protector

Жанры: Trash Metal

Blood red vinyl

1 CD

Protector: Reanimated Homunculus (2013-09-11)

Под заказ

15187 руб.

Артикул: CDVP 1283641

EAN: 4260255246141

Состав: 1 CD

Состояние: Новое. Заводская упаковка.

Исполнители: Protector / Protector

Жанры: Metal

Artist: Protector Label: High Roller Import

1 LP

Protector: Reanimated Homunculus (2013-09-10)

Под заказ

16671 руб.

Артикул: CDVP 1284831

EAN: 4260255246158

Состав: 1 LP

Состояние: Новое. Заводская упаковка.

Дата релиза: 10-09-2013

Исполнители: Protector / Protector

Artist: Protector Label: High Roller Import

1 CD

PROTECTOR - Golem (2015)

Под заказ

5999 руб.

Артикул: CDVP 2880464

EAN: 4260255247704

Состав: 1 CD

Состояние: Новое. Заводская упаковка.

Дата релиза: 01-01-2015

Исполнители: Protector / Protector

Golem” was the first full-length release by Protector, a savage masterpiece from one of the most underrated but nevertheless most important and influential thrash/death outfits from the 80s. The four-piece from Lower Saxony had been playing together since 1986, and with one official release up their sleeves the band now consisted of Hansi Müller (git), Michael Hasse (drums), Ede Belichmeier (bass) and Martin Missy on vocals, thus the same crew who had already hammered in the debut-EP “Misanthropy” from 1987. “Golem” is the first of two full-length releases from the first incarnation of Protector featuring vocalist Martin Missy. His absolutely vile vocal performance which always borders on early, evil, murky death metal is one reason why “Golem” is widely regarded as a landmark in the history of extreme metal, especially that of death/thrash. Among the wave of Germanic thrash flooding the scene back then, Protector have always stood out due to their exceptional songwriting-skills including daring tempo changes and top-of-the-line musicianship. Full to the brim with high speed killer riffs and leaning heavily towards early death, “Golem” is easily on par with other German thrash metal milestones such as “Pleasure to Kill” or “Infernal Overkill”. Although Protector’s fame may not entirely match that of compatriots like Kreator, Sodom or Destruction, they were most important for the early death/thrash scene, taking things to another level: Protector were more brutal, heavier and more extreme than the above mentioned bands – a bit ahead of their time maybe? Reactions in the media were overall positive but nevertheless pointing out, that this stuff was “only for the hardboiled!” Martin Missy recalls how press and fans reacted to the release: “It was almost the same as with our previous recordings: We got a lot of positive response from the fans and the underground-magazines. The bigger magazines were a little more sceptical about our music, but they still gave us somewhat better reviews than for Misanthropy.” Protector recorded their first full-length release in the summer of 1988 in the Phönix Studio in Bochum, Germany – a time still infused with very iconic memories for Martin Missy: “For the recordings we had moved into an apartment right above the studio. I remember that one day we were sitting in the living room, with the windows open, and we were listening to the bands that played at the Monsters of Rock at the Ruhrstadion in Bochum.” Writing and recording the album worked pretty much the same way as it had done the year before: “Hansi, Michael and Ede put together the songs, and I wrote the lyrics afterwards. I also made a small contribution to the songwriting-process: I suggested that Michael should use the floor-tom instead of the hi-hat in the Song ‘Golem’. I got that idea from the Agnostic Front song ‘Power’”. With a bit more experience under their belts, Protector could apply what they had learned while making their demos and the EP: The song structures on “Golem” are more complex, and the sound is cleaner than on “Misanthropy”. Apart from the Protector crew, there was someone else from the history books of thrash metal involved in recording the album: The last song, the short but sweet thrash outburst “Spacecake”, comes with guest vocals from Sodom’s very own Tom Angelripper. As mentioned above, the press seemed to be a bit overwhelmed by the speed and fierceness of “Golem”, but still, this album helped a lot to make the name Protector even better known in the underground scene of the 80s. Missy defines the status of his own band more accurately: “With ‘Golem’ I would say we were able to establish ourselves among the top-20 of German thrash bands.” The re-release of “Golem” comes without any alterations and no extra frills – just pure death/thrash that was ahead of its time in 1988 and will still you blow you away in 2015. Be sure to get your copy, and prepare properly for the next Protector show: “The title-song of the album became one of our most popular songs among our fans. We still play it live at every gig!” Record Label: High Roller Records Style: Death Metal

1 CD

PROTECTOR - Misanthropy (2015)

Под заказ

5999 руб.

Артикул: CDVP 2880465

EAN: 4260255247698

Состав: 1 CD

Состояние: Новое. Заводская упаковка.

Дата релиза: 31-07-2015

Исполнители: Protector / Protector

Жанры: Metal

High Roller Records, 2 bonus tracks, mastered by Patrick W. Engel/ Temple of Disharmony Record Label: High Roller Records Style: Death Metal

1 CD

PROTECTOR - Urm The Mad (2015)

Под заказ

5999 руб.

Артикул: CDVP 2880466

EAN: 4260255247711

Состав: 1 CD

Состояние: Новое. Заводская упаковка.

Дата релиза: 01-01-2015

Исполнители: Protector / Protector

Record Label: High Roller Records Style: Death Metal

1 LP

PROTECTOR - Golem (Ultra Clear Red Splatter Vinyl) (2015)

Под заказ

8233 руб.

Артикул: CDVP 2880484

EAN: 4260255247513

Состав: 1 LP

Состояние: Новое. Заводская упаковка.

Дата релиза: 01-01-2015

Исполнители: Protector / Protector

mastered for vinyl by Patrick W. Engel/ Temple of Disharmony “Golem” was the first full-length release by Protector, a savage masterpiece from one of the most underrated but nevertheless most important and influential thrash/death outfits from the 80s. The four-piece from Lower Saxony had been playing together since 1986, and with one official release up their sleeves the band now consisted of Hansi Müller (git), Michael Hasse (drums), Ede Belichmeier (bass) and Martin Missy on vocals, thus the same crew who had already hammered in the debut-EP “Misanthropy” from 1987. “Golem” is the first of two full-length releases from the first incarnation of Protector featuring vocalist Martin Missy. His absolutely vile vocal performance which always borders on early, evil, murky death metal is one reason why “Golem” is widely regarded as a landmark in the history of extreme metal, especially that of death/thrash. Among the wave of Germanic thrash flooding the scene back then, Protector have always stood out due to their exceptional songwriting-skills including daring tempo changes and top-of-the-line musicianship. Full to the brim with high speed killer riffs and leaning heavily towards early death, “Golem” is easily on par with other German thrash metal milestones such as “Pleasure to Kill” or “Infernal Overkill”. Although Protector’s fame may not entirely match that of compatriots like Kreator, Sodom or Destruction, they were most important for the early death/thrash scene, taking things to another level: Protector were more brutal, heavier and more extreme than the above mentioned bands – a bit ahead of their time maybe? Reactions in the media were overall positive but nevertheless pointing out, that this stuff was “only for the hardboiled!” Martin Missy recalls how press and fans reacted to the release: “It was almost the same as with our previous recordings: We got a lot of positive response from the fans and the underground-magazines. The bigger magazines were a little more sceptical about our music, but they still gave us somewhat better reviews than for Misanthropy.” Protector recorded their first full-length release in the summer of 1988 in the Phönix Studio in Bochum, Germany – a time still infused with very iconic memories for Martin Missy: “For the recordings we had moved into an apartment right above the studio. I remember that one day we were sitting in the living room, with the windows open, and we were listening to the bands that played at the Monsters of Rock at the Ruhrstadion in Bochum.” Writing and recording the album worked pretty much the same way as it had done the year before: “Hansi, Michael and Ede put together the songs, and I wrote the lyrics afterwards. I also made a small contribution to the songwriting-process: I suggested that Michael should use the floor-tom instead of the hi-hat in the Song ‘Golem’. I got that idea from the Agnostic Front song ‘Power’”. With a bit more experience under their belts, Protector could apply what they had learned while making their demos and the EP: The song structures on “Golem” are more complex, and the sound is cleaner than on “Misanthropy”. Apart from the Protector crew, there was someone else from the history books of thrash metal involved in recording the album: The last song, the short but sweet thrash outburst “Spacecake”, comes with guest vocals from Sodom’s very own Tom Angelripper. As mentioned above, the press seemed to be a bit overwhelmed by the speed and fierceness of “Golem”, but still, this album helped a lot to make the name Protector even better known in the underground scene of the 80s. Missy defines the status of his own band more accurately: “With ‘Golem’ I would say we were able to establish ourselves among the top-20 of German thrash bands.” The re-release of “Golem” comes without any alterations and no extra frills – just pure death/thrash that was ahead of its time in 1988 and will still you blow you away in 2015. Be sure to get your copy, and prepare properly for the next Protector show: “The title-song of the album became one of our most popular songs among our fans. We still play it live at every gig!” Record Label: High Roller Records Style: Death Metal