Зарубежная музыка на виниле

First split LP in a brand new series of collaborations, pairing artists working on the fringes- or not at all. This first split pairs Brighton's Blood Stereo's tape gonk with Hair & Treasure's farm life loops. Blood Stereo are Dylan Nyoukis and Karen Constance, a British institution, the sound complete immersion for people who don't immerse easily. Idiot twins Burchill and Slim may behave as though they own Sussex, but Constance and Nyoukis are immune to their surroundings, making livid eyes at confused glitter vixens up and down this squalid Isle. Hair & Treasure are Alex Jones and Gonçalo F Cardoso, a prankster randy dust duo from nowhere dwelling on tape loops and webbed finger piano ballads. The material was culled from a mound of who cares electro-acoustic improv sessions as an offering to the associated deities of the zwieback buttermilk trade Record Label: Discrepant Style: Experimental

Record Label: Live at Robert Johnson Style: House/Techno

Lovers of classic soul will rejoice at the news that William Bell, a much-admired survivor of the vintage Stax Records era of the late 1960s and first half of the '70s, is back on the celebrated imprint. He will unveil his first major release for almost four decades, This Is Where I Live, on Stax via Concord on 3 June. william-bellBell himself co-wrote most of the material for the new set with its producer, the Grammy-winning John Leventhal, and there are further writing collaborations with Rosanne Cash, Marc Cohn, Cory Chisel and Scott Bomar. Music historian and author Peter Guralnick supplies new liner notes. Record Label: Concord Style: Soul

Debut EP from up and coming talent, Atlas - contemporary of Keysound family member Etch. The EP's title track, "Solitude," has a pensive melodic tension broken only by skeletal drum flickers and sub gravity. It builds through layers of abstraction over four minutes towards a massive emotional apex. "On the Cusp" explores similar themes, using fragments of wistful dialog interwoven with skeletal drums . The EP concludes with "Alone in a timespan", yet further taking the form & function to near collapse. Finally, it pulls back, returning to more familiar club dynamics with with the dubby, bass-heavy rollage of "Calm". Record Label: Keysound Recordings Style: Alternative Rock

Record Label: Pro-Tez Style: House/Techno

180 Gram Vinyl - 2-LP - Gatefold Sleeve. Including all 15 tracks + 4 extended Versions (Vinyl only). Thomas Anders - The Voice of Modern Talking with 10 respectively 13 brand new recordings of the greatest Modern Talking Hits & the 2 completely new Thomas Anders songs 'Lunatic' und 'Take The Chance'! Thomas Anders has been touring worldwide since 30 years and is still very active, confirmed international shows in 2016 in Russia (Moscow and St. Peterburg). Produced by the very successful German producer Christian Geller (a-ha, David Hasselhoff, Heino …) 2 × Vinyl, LP, Album, Limited Edition, 180 Gram

180g vinyl with super heavyweight casebound tip-on jackets. Connie Acher is the songwriting pseudonym of New York City artist Melodie Provenzano. Known primarily for her hyper-realist paintings, which undermine her love of 20th Century detritus ,her debut album for Golden Lab Records gives way to similar thought paths. Titles such as "Treasure", "Rats" and "Precious" (with its repeated pay-off, omeday we'll all be gone') tell stories of a young woman in early 21st Century New York City, which are at once banal and weighty. Her deadpan voice delivers sublime melodies over sauntering cadences of unadorned instrumentation - acoustic guitar, bass, drums, Casios, Crumars and their ilk - which reinforce the junkshop theme. They're everyday songs of love and loss - drab revenants of 20th Century ideals doomed to haunt us through our memory of promise. Stunning in their understatedness, they take us back to a simpler time .https://www.youtube.com/watch?v=t0ZeHy1KYzU Record Label: Golden Lab Style: Indie Rock

Record Label: Edit Service Style: House/Techno

FIRST PRESSING OF 750 NUMBERED COPIES ON YELLOW VINYL 25TH ANNIVERSARY ALBUM! Record Label: Music On Vinyl Style: Techno

Record Label: Kill The DJ Style: House/Techno

Record Label: Secretly Canadian Style: Indie Rock

Beast Records is proud to co-produce this new Weird Omen album with Get Hip Recordings! Weird Omen is one of the wildest French garage-psych-rock trio lost somewhere between the Cramps and the Kinks spitting a unique blend of primitive garage full of reverb and fuzz. Weird as strange. Strange, as their universe borrows just as much from a world of the crazy 50's galaxy as from the British pop craze. Strange, as their line up is composed of guitar, saxophone, drums and three vocals. Omen as the forerunner. The forerunner of trance garage with these three musicians stemming from diverse and recognized bands (King Khan & the Shrines, Bee Dee Kay & the Roller Coaster, Lost Communists, Limiñanas, We Are Not Indians, Escobar, Anomalys.). Record Label: Beast Records Style: Garage Rock

Virginia steps up with her first full-length on Ostgut Ton, playfully answering all questions and rhetorics about love, lust and life with her singing on eleven new songs. Titled "Fierce For The Night" and co-produced by renowned artists Dexter, Martyn and Steffi, the album offers a very personal insight to her inner self while drawing from club culture's long and rich history. “Love, longing and lightness are the superior motifs of my album,” Virginia says, “they're universal human emotions, but also part of the classic House music narrative.” There are two hearts beating in her chest: being an experienced DJ and a longstanding resident of Berghain's Panorama Bar on the one hand, and her other self, the vocalist, producer and songwriter on the other. “My challenge was writing an album that works as well on the floor as it does in a home-listening context, that consists of songs rather than tracks,” she continues. “Electronic music doesn't necessarily need a political message. On Fierce For The Night I've focused on club culture's basic principles: found and lost love, frenzy and extreme emotions.” You can fall in love with a person everywhere, but within club culture there are more abstract sentiments involved: The fierceness between crowd and DJ, the togetherness between people on the dancefloor, the love for a moment when people connect with a tune. “What I like about the word ‘fierce’ is its ambiguity, in a positive and a gloomy way. Overall it has an explosive connotation, it’s connected to the history of House music, divas and ballroom culture and stands not only for freedom and poise but also for challenges.” After her first two solo EPs with Ostgut Ton the idea of putting her vocals more into the foreground grew inside Virginia. “Throughout the years I've collected many notes and sketches on the road that I always wanted to write up.” Having worked on songs for many years before and having collaborated with others was another motivation to elaborate her songwriting and put it into a new context. “When I've approached a song from the music itself rather than the full lyrics, it was usually me improvising, humming along in a kind of fake English. Funnily most times when I choose this gibberish writing approach it all adds up in the end: the phonetic flow makes it work.” While lyrics are not random in the end, Virginia uses her voice as another instrument in the writing process. “At times one word I pick is the starting point to develop the rest of the song and to add meaning. That's a different approach to songwriting, but it's a very much flow-driven way of writing.” An approach that also refers to and reflects Virginia’s craft as a DJ, where records come in one at a time and not only need to connect to the one before and the one after, but also to the floor. Yet Fierce For The Night isn’t just a solo, but also a group effort. The eleven pieces on this longplayer are co-produced by Dutch artists Dexter, Martyn and Steffi, each bringing their individual compositional skills and musical styles to the table, with influences ranging from Funk, Boogie, Disco, UK Garage, Drum & Bass and House. Written and produced during various studio sessions, Fierce For The Night resulted in a broad range of melodies, rhythms and musical moods, while preserving a coherent vibe. “It was important that the album didn't come out as a patchwork with every track having a distinctive signature sound. For us as a team there's a mutual understanding and an artistic vision we all share. We speak the same musical language. This isn't just limited to the studio, but also extends to the live context, as Dexter, Steffi and me will be performing live and touring the album as a group.” Besides the personnel, Fierce For The Night is, music-wise, an album deeply rooted in club culture while staying approachable for listeners that might not be regulars on the dancefloor. A Pop album that playfully defies the schematic formulas of Pop music. There is dancing and muscles being flexed in “Bally Linny”, “Lies”, “Funkert” and “Raverd” (both serving as the album’s lead-single on 12“ vinyl), “Follow Me” and the eponymous “Fierce For The Night” – cheerful and energetic songs that can be played out over the course of a club set, but just as well click with home stereo or radio listeners. There are the bouncy, more break-heavy cuts such as “1977” and “Obstacle”. And there are slower paced, balladesque songs like “Believe In Time”, “Subdued Colors” and “Han” that underline the bleak moments of life. All held together by Virginia's soothing, smooth and soulful singing voice. And while all songs have personal stories behind Virginia's songwriting, there is also a classic Pop music narrative: making music approachable and offering meaning that people can connect to their own lives. Fierce For The Night is therefore first and foremost an album about relationships: A very personal reflection of Virginia's own experiences so far, but also about the once intimate, now loose connections between everyday people. Firmly placed in House culture, yet with open arms towards Funk and Pop culture, Fierce For The Night has a basic message: “Go out, enjoy yourself, loosen up and take what's good for you.” Record Label: Ostgut Ton Style: House/Techno

With MAGNUM Vol. I, D.O.C. Records has positioned it self as the home for both veteran and freshman artists; a well-needed break from the labels regular routine that was put to good use, resulting in one of the most defying releases to date. Filled with exclusive brand new tracks from Monolink, AnT, L_cio, M.A.S., Shadow Movement, Elekfantz, HNQO, Come and Hell, Monotype this V.A. meets the high demands of the music scene, thanks to a particularly strong line-up showcasing both the best sellers and the personal favorites of the last two label years. What's most striking, however, is how a pool of artists as distinct as L_cio, AnT, Monotype, Elekfantz or M.A.S. can find harmony in diversity, aiming to define D.O.C.s current sound, the different family-members did wonderful and powerful tracks easily reaching their goals. In this release D.O.C. Records has definitely established it self as a label to be watched as one of the bets for the years to come. This compilation is a must-have for anybody that has been following D.O.C. in the past years and for anyone that wants to start following now. It´s a milestone in the label´s history and all in all it´s the best gift you could imagine. Owned and engineered one of today's most beloved techno/house producers, GUI BORATTO, D.O.C. is a platform created to support and develop Brazilian underground talent. D.O.C MAGNUM VOL. 1 is the perfect introduction to the label family and getting to know about Brazil's thriving electronic music. Features exclusive tracks you will only find on this collection. Packaged in gorgeous gatefold 3LP vinyl - limited to 500 copies!! Record Label: D.O.C. Style: House/Techno

Twin Peaks release their third record, 'Down In Heaven' through Communion Records via Caroline International. Having careened across America and beyond, sharing their staggering energy, the band made their third album the best way they know how: by themselves. The same group that produced the scuzzy squalor of their debut 'Sunken', had legions of fans screaming along to their anthemic second album, 'Wild Onion', now swings and serenades with 'Down In Heaven'. Born of Chicago's league-leading DIY scene and with several of them remaining friends since elementary school, Cadien Lake James, Clay Frankel, Connor Brodner, Jack Dolan, and most recent addition Colin Croom share an enthusiasm, authenticity and passion their audiences have found contagious. In the three years since dropping out of college to support their debut album 'Sunken', the band has covered a lot of ground. They've played to ever-increasing crowds, bigger and rowdier each time they come barreling into a city; and they have performed for (and partied with) more than hospitable masses at festivals in the US and Europe, including Pitchfork, Lollapalooza, Reading and Leeds, and Roskilde. In between all this action, the group set up camp in the summer of 2015 amidst the solitude of a murky lake in Western Massachusetts, where they could experiment and record on their own terms in the warm living room of a good friend's house. Recording on reel-to-reel with the band learning studio tricks on the fly, Twin Peaks set out to a make an LP that reflects how far they've come and how much of life is left, trusting themselves to make a record they'd want to hear. Co-produced by the band and longtime collaborator R. Andrew Humphrey, and mixed by new confidant John Agnello (Dinosaur Jr., Kurt Vile, Sonic Youth), the record is raw, polished and wise beyond its years. It is a marked and mature development for a band that doesn't know how to play it safe. 'Down in Heaven' will bring old fans and new Twin Peaks most complex record to date, encompassing elements only teased on their previous efforts. Vinyl, LP, Album

Record Label: Hufter Style: Rock

The Traveling Wilburys Collection (3-LP Set) contains Vol.1, Vol.3, and a bonus LP with vinyl exclusive extended versions. The lift off box packaging includes a 16 page booklet, a fold-out poster and a collectable envelope with 6 postcards. Record Label: Concord Records Style: Rock

Record Label: Internal Affairs Entertainment Style: Hip Hop

Record Label: Stones Throw Style: Reggae

Record Label: Stones Throw Style: Reggae

Record Label: Thrill Jockey Style: Metal

Mysteriis Alienis Mundi', the second and highly awaited opus from the makers of 'Surf Music From Outer Space', co-produced with Dirty Witch Records. When Dick Dale meets George Lucas.. Record Label: Prod.Impossible Style: Surf

Gatefold * thick printed inner sleeves * Coloured 180g vinyl * free download code! "[2016]"is the follow-up to Switchblade's Swedish Grammy Award nominated and critically acclaimed "[2012]" album. On "[2016]", the 7th album, the band has once again taken one step forward and two steps back with a slightly different approach to their minimalistic doom by turning up the tempo, adding more melodies and a lot more textures. Record Label: Denovali Style: Experimental

The kings of Japenese Neo-Rockabilly are back with their 4th album. Daisuk (bass - vocals) and his two accomplices are still at the top of punchy Rockabilly, angry Teddy-Boys , and Old-School-Psychobilly for fans of triple slap! Rock'n'roll bonzai !! Record Label: Prod.Impossible Style: Rockabilly

Record Label: Ninja Tune Style: House/Disco

Second strike even deadlier... Rebaelliun’s second album re-issued! Record Label: Hammerheart Style: Death Metal

It's a big one, a third previously unreleased Raspuitins stash LP, half of which was thought to be lost. Just recently it turned up in a Chicago warehouse and we managed to get out hands on it. With the blessing of Paul Coleman (Rasputins Stash member) we reunited the masters with the remainder of the tapes residing in Curtom archive to complete the LP, Huge!. Tip on hand made sleeve. Unreleased 3rd LP from Recovered tapes Stolen in the 70s!! Record Label: Athens Of The North Style: Soul

Elements of psychedelia and shoegaze, Krautrock, early electronica, highlife, Afrobeat and even classic disco get molded into a wash of tape saturation. For fans of a.o. Klaus Johann Grobe, Trouble In Mind, Jacco Gardner, Mac Demarco, Real Estate, DIIV… Record Label: Thischarmingman Style: Indie Rock

Thick sleeves * printed inner sleeves * Coloured 180g vinyl * free download code! "Convivium" is Mario Diaz de Leon's third album under his ONEIROGEN alias, and follows the "Plenitude" EP, released in 2015. It was developed over a period of two and a half years, primarily through live performance in the metal and noise underground of NYC. Like its predecessor, the album's core instrumentation is an array of hypnotic synthesizer riffs, pummeling percussion, distorted vocals, and surging noise. With "Convivum", Diaz de Leon has crafted a powerful and singular work of heavy electronic music. Record Label: Denovali Style: Experimental

Record Label: Parachute Style: House/Techno