Зарубежная музыка на виниле

Artist: Arkaik Label: Unique Leader

Artist: Marco Polo Label: Slice of Spice

Artist: Caspian Label: Triple Crown Records

Artist: Lindi Ortega Label: Last Gang

Artist: Fernando Label: Fluff and Gravy Records

Artist: Impaled Label: Willowtip

Artist: Holly Golightly & The Brokeoffs Label: Mri Associated

Artist: Broilers Label: Skull & Palms Recordings (Universal Music)

Performer: Christian Vander; Artist: Christian Vander Label: Seventh New

Artist: MILES DAVIS Label: DOL

Artist: Orwell Label: Europop 2000

Artist: SACRED REICH Label: Metal Blade Records

Artist: Pujol Label: Third Man Records

Artist: Funkadelic Label: 4 Men With Beards

The band made 1000 of these and sold them at a few live shows; we exclusively have the rest of the stock. Original pressing was limited to 1000 copies on see-through blue vinyl. Record Label: Hellcat/Cobra Style: Punk

180 GRAM AUDIOPHILE VINYL - FIRST PRESSING OF 1000 NUMBERED COPIES ON WHITE VINYL Record Label: Music On Vinyl Style: Garage Rock

180 GRAM AUDIOPHILE VINYL Q65 was a Dutch R&B-based psychedelic Garage Rock group formed in 1965, that is often considered one of the more prominent bands associated with the Nederbeat Rock wave that took place in The Netherlands in the 60s. In 1969, the band released their second LP "Revival", which contained Q'65 hits, album tracks, the outtake "Fairy Tales Of Truth" (apparently a Circus track sung by Willem Bieler) and three tracks by Circus Record Label: Music On Vinyl Style: Garage Rock

Record Label: Vinyl Eck Style: Metal

OPERATION: MINDCRIME, the new project led by former QUEENSRŸCHE singer Geoff Tate, will release its debut album, "The Key", via Frontiers Music Srl. Perhaps one of Tate's most ambitious recordings to date, "The Key" examines what one might do if they discovered "the key" to changing the way we view the world, the way we look at time, the way we travel, and could essentially change the human condition... for better or for worse. Fresh from the creative mind of Geoff Tate, "The Key" features a dozen songs and marks part one of an epic musical trilogy that initiates that very question within a web of international politics, the world economy and social ethos. Joining Tate on "The Key" are a hard-hitting cast of familiar faces and new collaborators: bass players David Ellefson (MEGADETH) and John Moyer (DISTURBED, ADRENALINE MOB), drummers Simon Wright (AC/DC), Scott Mercado (CANDLEBOX) and Brian Tichy (BILLY IDOL, OZZY OSBOURNE), guitarists Kelly Gray (QUEENSRŸCHE) and Scott Moughton (Geoff Tate's solo band), keyboardist Randy Gane (MYTH) and vocalist Mark Daly (THE VOODOOS). OPERATION: MINDCRIME is described as a creative platform that continues in the spirit of the historic album of the same name, spawning concepts as grand as the music, and intertwining the intensity of the former QUEENSRŸCHE vocalist's iconic past with the provocative, progressive mindset that has made him one of music's most resolute forces and frontmen. "Musically, this album is quite adventurous," says Tate of "The Key". "Of course there are key elements in the music, melody and phrasings that are really identifiable, but throughout my career I've opened my eyes and ears to new standards and arrangements, and that's what keeps things fresh and exciting as an artist — we've thrown out the rules for this record, and it's been really liberating. I'm a fan of old prog, and that music didn't stick to rules. It's inspiring and enjoyable to be able to explore, and it's great being in a position to write without constraints." The results are a series of albums that don't languish in nostalgia, instead offering listeners an opportunity to delve into a world of ideas and inspiration that Tate has been nurturing for the better portion of the last decade. Instead of asking, "Who killed Mary?", OPERATION: MINDCRIME now asks, "What are the implications of changing the world?" "Like every album I've ever done, people will hear and experience it differently, and that is something that I look forward to," continues Tate. "Music is an intimate experience — your inspirations are unique to you, and will be heard differently through every set of ears and experiences - but isn't that really what makes art exciting? It inspires us all in different ways and for different reasons, and this album is no different. There are quite a few sections of this album that help propel the story with segues and dialogue, but the lyrics don't lay out a breadcrumb trail and tell the story in a linear fashion, there's a puzzle. We have several characters, and three other people singing lead vocals on the first album. That made it even more fun for me and helps give the album its own special character. "Musically, there's quite a smorgasbord, we've played with sound and established a sound palate — heavy guitar, obviously, cool drumming... all the music is very sophisticated, and there are interesting time changes, the band is playing with different countings and we switch throughout each piece. We can perform the verse in one feel, the bridge in another, and transition to a new chorus, very challenging stuff and lots of different sounds that people probably haven't heard on one of my albums before - new and different guitar sounds and vocal treatments, very dynamic stuff." Tate makes one point exceptionally clear — OPERATION: MINDCRIME isn't a band, it is a musical project of like-minded people uniting to achieve a common goal. While the songwriting rests predominantly on the shoulders of Tate, Gray and Gane, it's up to every contributor to add their influence and help color the landscape. "The songs on these records tell a story, and each song is a scene or chapter — every scene is different," Tate says. "The words tell the story, the musical bed, the chord progressions and melodies, they set the pace. That's how I envisioned this album in total, very theatrical and definitely cinematic. "How do we describe passion?" Tate asks in conclusion, cautiously answering his own question: "Music is a personal journey, and all you can do is write what moves you. That's what passion is - it's so difficult, yet it's such an important human emotion. There are moments on this record that really impact me, the questions raised and the music those questions are set to... I don't know if it will have that same effect on everyone else, but that's where my passion and their passion meet. I do this because I love doing it. I love touring and I love playing live, performing with like-minded people in front of like-minded audiences, and being there in the moment together when all of our passions collide." Read more at http://www.blabbermouth.net/news/geoff-tates-operation-mindcrime-complete-the-key-album-details-revealed/#xU7HpYsw9sbiVyUE.99 Record Label: Vinyl Eck Style: Metal

new album from the German answer to AC/ DC. From St. Pauli, Hamburg. Record Label: Afm Records Style: Hard Rock

Of Feather and Bone is a fresh new representative of a Denver scene that also includes Primitive Man and Call of the Void. As witnessed on “Ordained in Fire,” the band rips forward, rabid and seething, caked in crust, grinding through songs like army tanks flattening fields. Swelling, churning clouds of gloom hang heavy as the band blasts out campaigns of the bleakest, most savage hardcore, in line with ’90s German crust gods Acme, or modern-day warriors Cult Leade Record Label: Good Fight Music Style: Grindcore

180 GRAM AUDIOPHILE VINYL - GATEFOLD SLEEVE - 4 PAGE INSERT - LIMITED EDITION OF 500 NUMBERED COPIES ON SOLID RED VINYL Record Label: At The Movies Style: Soundtrack

180 GRAM AUDIOPHILE VINYL - INSERT - LIMITED EDITION OF 500 NUMBERED COPIES ON BLUE VINYL Record Label: At The Movies Style: Soundtrack

180 GRAM AUDIOPHILE VINYL - PRINTED INNERSLEEVE - FIRST PRESSING OF 500 NUMBERED COPIES ON TRANSPARENT VINYL Record Label: At The Movies Style: Soundtrack

180 GRAM AUDIOPHILE VINYL - PRINTED INNERSLEEVE One of a handful of masterful films Fellini made during the 0s, including La Dolce Vita, Giullietta Delgi Spiriti, and Satyricon, 1963's 8 « is arguably the director's best work and one of the high points of 20th century cinema. Eschewing many traditional narrative devices Fellini presents his biographical portrait through a prismatic and fantastical series of flashbacks and "real time" scenes, both professional and personal in content. As usual, his longtime musical collaborator, Nino Rota, substantially enhances the dreamy proceedings with a music hall melange of Jazz, Classical, Lounge, and circus music. Rota moves the main title theme through a mix of operatic interludes, cabaret swing, polka romps, and organ combo ditties Record Label: At The Movies Style: Soundtrack

I Had Grown Wild" is the culminative EP in a series of releases that began in 2014, and is the followup to the success My Brightest Diamond's 2014 full-length "This Is My Hand." This EP of five tracks includes two new original songs from MBD, and a remix of "This Is My Hand" in both English and French. The EP begins and ends with a minimalist but driving remix of the LP's title track, "This Is My Hand," first sung in French, then in English. "Say What", inspired by a poem by Staceyann Chin, recontextualizes images from Billy Holiday's "Strange Fruit" and issues a challenge to compare and contrast the experience of black and white Americans. Continuing on the subject of children, "Bronze Head" lets off the steam with text taken directly from William Butler Yeats' poem by the same name. Birth, the body, and the afterlife all take their places on this EP, with the concluding song "Apparition". Since first singing Stephane (2 accents needed) Mallarme's poem set by Claude Debussy for the song cycle "Quatre chansons de jeunesse" in college when she was studying classical voice, Shara fell in love with the image of the ghost who with glowing hair who leaves behind a trail of white bouquets of perfumed stars Record Label: Asthmatic Kitty Style: Independent

Record Label: Pias UK/BMG/Sanctuary Style: Pop

Here's an exclusive live set of Mott The Hoople, recorded their exclusive 5-date UK reunion tour in 2013. Offering the band's first live recordings in over 4 years, the set contains rare footage from Mott's show at the Manchester Apollo on 17th November 2013. The live album features classic hits s.a. 'All The Young Dudes', 'All The Way From Memphis' and 'Roll Away The Stone'. Record Label: Rock Classics Style: Rock

Record Label: Vitesse/Iras Style: Rock

Vinyl: 500 black vinyl, with booklet insert / poster and DL card. Night School's issue of Cut With The Cake Knife includes unpublished photographs, extensive sleeve notes from Rose McDowall and 2 bonus tracks culled from the bootleg 7" "Don't Fear The Reaper." Cut The With The Cake Knife was recorded by Rose McDowall in 1988/89 following the break up of her group Strawberry Switchblade. Produced with the aid of several musicians in several studios, the album features songs written for the fabled second Strawberry Switchblade album. More importantly perhaps it showcases the honest, direct and life-affirming songs of one of the greatest unsung songwriters of the modern pop era at a tumultuous time in her career. Tibet opens the set and could be one of the best pop songs you've never heard. The innate sadness of the songs' content - the loss of a friendship, impending sorrow - is heightened to heart-melting level by McDowall's pop nous and melodic sensibility. Choruses and hooks are everywhere on Cake Knife, from the outsider take on stadium 80s pop in Wings Of Heaven to the spiraling, ecstatic So Vicious, a glorious anthem that highlights the human fragility in McDowall's vocal performance, an instrument that has never lost the naïve purity it first exemplified in Strawberry Switchblade's early 80s recordings. The centerpiece of the album, the title-track, is the greatest Switchblade pop chart hit that never was. Like the veiled melancholy of her former group's hits, Cut With The Cake Knife hints at a darkness beneath the gloss, a darkness that saw McDowall delve into more esoteric territory with her subsequent recordings and collaborations. Cut With The Cake Knife serves as the bridge between the pop music McDowall had been making with her friends Jill Bryson, Lawrence from Felt and Primal Scream to what became a more extreme, deep sound informed by neo-folk and post industrial music. Rose McDowall's role in the canon has always been one of an outsider. Beginning in Glasgow's East End in the avant proto-noise group The Poems, achieving fame briefly in the 80s and then disappearing into counter-cultural folklore, the emphasis in the internet-age has been skewed towards her image and cultural significance. Unseen to many, her solo work, her groups Sorrow and Spell and her collaborations with a whole host of underground luminaries have still touched lives. As McDowall elucidates: "They're real sad songs, about real life. I've had people come up to me to say I'd connected with them and helped them. I remember a gig in America when we made a whole room cry. It was bizarre. A couple at the front of the stage started crying and then these two boys beside and suddenly everyone was crying. And I thought, "that's power. Record Label: Night School/Forte Style: Independent