Музыка и песни Вайнберг Моисей (Мечислав). Страница 4

Weinberg’s Symphony No. 13, dedicated to the memory of his mother, is cast in a single movement that unfolds in a symmetrical arc. A large orchestra is used sparingly in chamber-like textures with motivic ideas that evolve over the course of the work. The result is music of gripping and unsettling power, both emotionally intense and architecturally complex. Some years earlier Weinberg wrote the light-hearted Serenade, Op. 47, No. 4 which offers a study in contrasts: by turn capricious, rumbustious and wistful.

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20 CD

Martha Argerich: The Lugano Recordings (20CD) (2018)

Под заказ

16873 руб.

Артикул: CDVP 3506968

EAN: 0190295948979

Состав: 20 CD

Состояние: Новое. Заводская упаковка.

Дата релиза: 01-01-2018

Лейбл: Warner Classics (Teldec, Erato, Finlandia, Lontano, Nonesuch, EMI, Virgin)

Исполнители: Pires Maria João, piano / Пиреш Мария Жуан, фортепиано Argerich Martha, piano / Аргерих Марта, фортепиано Papavrami Tedi, violin / Папаврами Теди, скрипка Kremer Gidon, violin / Кремер Гидон, скрипка

Жанры: Камерная и инструментальная музыка Концерт Произведения для солиста с оркестром Фортепьянные дуэты / Ансамбли для нескольких пианистов Фортепьяно соло

The box comprises all (live) recordings made by Martha Argerich at the Lugano Festival, from 2002 to the last edition in 2016, and released by EMI Classics and Warner Classics. An impressive collection of 22CDs without equivalent. It includes a variety of genres: some solo piano music, lots of music for piano duo and among them many arrangements, chamber works and concertos.

13 CD

Kyrill Kondrashin Edition (2018)

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9922 руб.

Артикул: CDVP 3583746

EAN: 0881488180466

Состав: 13 CD

Состояние: Новое. Заводская упаковка.

Лейбл: Profil

Исполнители: Pikayzen Victor, violin / Пикайзен Виктор, скрипка Oistrakh David, violin / Ойстрах Давид, скрипка Rostropovich Mstislav, cello / Ростропович Мстислав, виолончель Gilels Emil, piano / Гилельс Эмиль, фортепиано

Жанры: Концерт Опера, интермедия, серената Оркестровые произведения Симфоническая музыка

Kirill Petrovich Kondrashin was born in Moscow on March 6, 1914, just before the fateful start of the First Word War. Little Kirill grew up in a musical family: his Jewish mother was a violinist from Riga, his father played the viola. The boy’s piano lessons began at an early age. We know little of the family’s fortunes in the period after the Bolshevik Revolution, but the teenage Kondrashin was able to study music theory with Nikolay Zhilyoyev (1881-1938).The Russian composer, musicologist and educator had learnt his trade from Mikhail Ippolitov-Ivanov (1859-1935) and Sergey Taneyev (1856-1915) and was a strong formative influence on his talented pupil. This is Kondrashin’s laconic summing-up of his “art of conducting”: 'Ultimately conducting is simply about making one’s own intentions intelligible to a hundred musicians and letting them play their part in them'. How much tragedy, drama, joy or fulfilment lay behind that aspiration was known only to Kirill Kondrashin himself.